Conozco esas lĂĄgrimas que no caen y se consumen en los ojos, conozco ese dolor feliz, esa especie de felicidad dolorosa, ese ser y no ser, ese tener y no tener, ese querer y no poder.
José Saramago (via belle-indifference)
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Conozco esas lĂĄgrimas que no caen y se consumen en los ojos, conozco ese dolor feliz, esa especie de felicidad dolorosa, ese ser y no ser, ese tener y no tener, ese querer y no poder.
José Saramago (via belle-indifference)
No sé cómo me caben en mis manos tantas ganas de tocarte.
Nights and days and days and nights, hundreds of them slipping through my fingers.
Jean Rhys, Wide Sargasso Sea
Everyone thinks writers must know more about the inside of the human head, but thatâs wrong. They know less, thatâs why they write. Trying to find out what everyone else takes for granted.
Margaret Atwood (via quotemadness)
There is no âthe future.â There is an infinite number of possible futures. Which one will actually become the future? Itâs going to depend on how we behave now.
Margaret Atwood
Itâs still you. Itâs still you.
Margaret AtwoodÂ
War is what happens when language fails.
Margaret Atwood
I like living. I have sometimes been wildly, despairingly, acutely miserable, racked with sorrow; but through it all I still know quite certainly that just to be alive is a grand thing.
Agatha ChristieÂ
This is what I miss⊠not something thatâs gone, but something that will never happen.
Margaret AtwoodÂ
Margaret Atwood, from an interview featured in âTwo Solicitudes,â orginally published c. 1998
I exist in two places. here, and where you are.
Margaret AtwoodÂ
Where do the words go / when we have said them?
Margaret Atwood, from âThe Small Cabin,â Selected Poems I 1965-1975Â
Life goes more smoothly without a heart,
Margaret Atwood, from Selected Poems II: 1976 - 1986; âThe Woman Makes Peace With Her Faulty Heart,â
It disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional.
Margaret AtwoodÂ
(âŠ) memory is no friend. It can only tell you what you no longer have:
Margaret Atwood, from A Visit in âMorning In The Burned Houseâ
Strange how we decorate pain.
Margaret AtwoodÂ