FORM FARM

Visually speaking.

[design-is-fine]

Mario and Dario Bellini: Hi-Fi Totem for Brionvega,1971. Photo © Aldo Ballo + Marirosa Toscani Ballo, Milano 1974

[ericaofanderson]

Clean Break.

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KnownOrigin / SuperRare / OBJKT / Zedge 

[plastolux]

andersonc_design #hughacton

[thevaultoftheatomicspaceage]

Brooks Stevens -Gondola Terra 1961

[arthuntblog]

Walter Dexel (1890-1973) [Germany] — ‘Vertical Construction 23 III’, 1923. Watercolour on paper laid down on the artist's mount (39.7 x 29.7 cm).

[arthuntblog]

Walter Dexel (1890-1973) [Germany] — ‘Blue Slide’, 1926. Oil on glass (65 × 50 cm).

[thegikitiki]

Home Theater, 1957

[classic-hollywood-glam]

Kim Novak

[screengoddess]

Merle Oberon

[cosmonautroger]

Paul Klee, 1940

[saintmarc]

[thevaultofretroandvintage]

[rougejaunebleu]

Wifredo Arcay Untitled 1958 Casein on Masonite 96.3 × 36 cm

[fuckyeahkitschy2]

[carsthatnevermadeitetc]

Alfa Romeo Milano, 1987. The XXV Winter Olympics are opening this evening in Milan and Cortina. The Alfa Romeo 75 was the last model developed and released before Alfa Romeo was acquired by Fiat. For the US market, the Tipo 161 was badged as the Milano, reflecting the name of the Italian city where it was manufactured (at Alfa Romeo’s Arese Plant). Its outstanding technical feature was a transaxle gearbox, which endowed the cars with near-perfect 50/50 weight distribution. Note also the U shaped hand-brake

black& white photos by Dick Kelly/Car & Driver

[rearte2]

by Gérard Schneider, 1964

[fuckyeahkitschy2]