Remedios Varo. La Despedida, 1958.

Janaina Medeiros
Cosmic Funnies

shark vs the universe
YOU ARE THE REASON

JBB: An Artblog!

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PUT YOUR BEARD IN MY MOUTH
Lint Roller? I Barely Know Her

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taylor price

titsay

#extradirty
One Nice Bug Per Day

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oozey mess

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Claire Keane
sheepfilms
RMH

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@fosforescencias
Remedios Varo. La Despedida, 1958.
Tommy Dear I can never I can never be I can never be myself when you're around Where are you going? Sunrise Sunset Kill me Kiss me Help me forget me Pleasure Pain Reality Dreams Nightmares Parties Distortion Birth Death In-between Love everything Tick tock, tick of the clock Enemy Enemy Enemy You're around
Isotermia
Te supe un condenado otoño al ras de las cortezas en el sinuoso curso de meandros
Choque brutal de pupilas perplejas vorágine apretando estupro con el cielo acunándonos el vértigo Iniciados babilonios
te supe a media voz Con un deseo mágico rozándonos tobillos los secretos más profundos del pecado
Sabía que existías que te extendías grave en severos firmamentos que conjugabas hechizos y serpientes
Que mecías tu cuerpo entre sombras ajenas y neblina que tu gula era salvaje que te enviaba Belili el infernal
Me convenció tu juego irreverente tu descarnada afrenta Tu azul arcano tu ser de sorpresiva ráfaga encantador heraldo
Y pregunté mil cosas esa noche Era otoño Contestabas de perfil repasando obrajes de tu lengua por mis labios
Desbaratamos trágicas hipótesis empanadas ordalías amable triunfó la rosa de los vientos y mi mano fue a tu mano
Sentimos nos unía la línea el tiempo el color Robando el paraíso lo trepamos entre estelas jeroglíficas colmamos tabernáculos de Ishtar con corderos y un buey blanco
Ondulando recíprocos por una ciencia infusa por una rara geometría acortando distancias de mortales ufanos entre sables curvos propicia luna vino en cráteras
Tu calor era regresando del exilio Incontenidas pasiones estallaban las arterias Isotérmicos derruimos prologales muros del temor o la vergüenza
Aquella noche la primera Era otoño Estación para gente de «savoir vivre» de «savoir faire» Nosotros
Aquella vez se perdieron tus ojos en los míos y yo sin detener el alma logré despedazar a tu tristeza
Sara de Ibáñez
Music as a statement. “Anti EP was a protest against the Criminal Justice and Public Order Act 1994, which would prohibit raves (described as gatherings where music is played), with "music" being defined as a "succession of repetitive beats." Sean Booth explained the band's strategy for the song "Flutter" by saying, "We made as many different bars as we could on the drum machine, then strung them all together." The packaging for both compact disc and vinyl variants bore a sticker with a disclaimer about the repetitive nature of the rhythmic elements of "Lost" and "Djarum". The third track, "Flutter", was programmed to have non-repetitive beats and therefore "can be played at both forty five and thirty three revolutions"; but following their disclaimer, it was advised that DJs "have a lawyer and a musicologist present at all times to confirm the non repetitive nature of the music in the event of police harassment." The sticker acted as a seal, which was required to be broken in order to access the media enclosed in the packaging.The profits from this release went to the British pressure group Liberty (the National Council for Civil Liberties.) The second half of the sticker featured information about Liberty, with this last statement: "Autechre is politically non-aligned. This is about personal freedom".
Neon text installations by Jung Lee
Sí, siempre. Y cada vez.
"El amor es un producto social, el producto de una afortunada casualidad: dos personas derriban las barreras defensivas y, al mismo tiempo, oscilan al ritmo de los demás. ¿Lo consideraría usted un proceso improbable? Knoche contesta: Sí, siempre. Y cada vez". Alexander Kluge, El hueco que deja el diablo
Laurence Anyways (Xavier Dolan, 2012)
On the health that’s regained
On the perils of old days
On the hope with no past
I’m writing your name
The panic in Needle Park
Paul Schneggenburger, The Sleep of the Beloved
Days of heaven (Terrence Malick, 1978)
Les amours imaginaires (Xavier Dolan, 2010)
Like crazy
Cada cual tiene su alcohol. Tengo alcohol suficiente con existir. Borracho de sentirme, vagabundeo y voy seguro. Si es hora, me recojo en la oficina como cualquier otro. Si no es hora, voy hasta el río a mirar el río, como cualquier otro. Y, por detrás de esto, cielo mío, me constelo a escondidas y tengo mi infinito.
Fernando Pessoa - El libro del desasosiego