Untitled

[einsliga]

[s-usans-blog]

Deep winter © Alex Polli

[mtaartsdesign]

Mia Pearlman’s “Soar” (2016) at 80 St (A) station in Queens, uses curving, perforated metal panels to reflect and project patterns of air movement onto the pathway of commuters. Inspired by the feeling of closeness to the sky while standing on the elevated platform, the work draws upon the forms of weather currents and clouds. The gleaming steel panels were translated from the artist’s delicate papercut sculptures depicting the beauty of the natural phenomena.

Pearlman is currently featured in “Paper Cuts” at Elza Kayal Gallery, alongside three other artists exploring the expressive qualities of the craft technique. On view through October 7.

📸: Jason Mandella

[robert-hadley]

Stonehenge Under Snow, photographed by Bill Brandt, 1944.

[uroko]

by: はぐれカラス

[gacougnol]

Claudio Scandelli

[lewerta]

Flooded Forest

by Konsta Punkka

[gothbutterfly]

Tvurk

[spacesource]

An image of Pluto with the Sun behind it, taken by NASA’s New Horizons spacecraft minutes after its closest approach on 14 July, 2015 (x).

[albarrancabrera]

Albarrán Cabrera    —–    Instagram

The Mouth of Krishna

Japan, 2014, #239 Cyanotype over platinum print.

[radstudies]

Tsuji Kakō (Japanese, 1870-1931) - Sparrows and Pines

[thefierybiscuit-deactivated2023]

The Old Stables

[uroko]

Mitsuhide Mori

[hadrians-view]

Lake Tanuki in Shizuoka prefecture Japan

[riverwindphotography]

This is the Way

© riverwindphotography, January 2022

[riverwindphotography]

Moon Flight

© riverwindphotography, February 2022

[architecturealliance]

Mont Saint-Michel, France