[mrseanroper]

Keystone.

[miwi1010]

The Moving Picture World, October 14 1916

[bygone-hollywood]

“The Garage” (1920), dir. Roscoe Arbuckle

[busterkeatonsociety]

#ThrowbackThursday Two lobby cards for Buster Keaton’s other war movie, “Dough Boys,” 1930

[frankmayo]

Motion Picture Classic, Jan 1924, p.65

[from1837to1945]

"He seemed to be like a peculiar piece of a puzzle that would not fit in any place."

-Edwin Williamson, "The Early Days of Henry B. Walthall," Picture-Play, August 1916, p.86

"The Brave and noble look, the poise, the promise of this picture! No one with such a tie could fail to make a hit on the stage."

-Photoplay, February 1922, p.57

"But who would think that the blond, angelic countenance belonged to Frank Mayo, he of the strong-fisted, heroic film gentry?"

-Picture-Play, August 1923, p.58

*Photos

Walthall / Lytell / Mayo

[frankmayo]

The Moving Picture World, Oct 20, 1917

[frankmayo]

The Moving Picture World, Jul 12, 1919

(Most widely used portrait of Harry McCoy)

[frankmayo]

Harry McCoy & Gordon Griffith in The Star Boarder (1914)

[frankmayo]

Moving Picture World, Feb 23, 1924

[vintagedreamsofsennett]

"The story is by Joseph Hergesheimer, a weird study in fear. Terror has possessed three generations of the Stopes and dwells with the grandfather and granddaughter, who live alone in the Georgia swamp country. Dominating them, is Nicholas, a homicidal maniac—half man, half child. And then John Woolfolk comes, a lonely man who carries sorrow in his heart. His advent changes the old order, bringing sudden tragedy—followed by freedom and happiness."

-Photoplay, March 1924, p.60

˚✧₊⁎

[vintagedreamsofsennett]

"The story concerns a girl who has spent all her life in the swamps of the Southeast. An hereditary taint of fear keeps her spellbound—a sort of enchanted princess. The girl and her grandfather are dominated by a half-witted maniac of murderous tendencies. The story tells how the girl is freed by a man who himself has been made a spiritual prisoner by tragedy."

-Agnes Smith, "The Screen in Review," Picture-Play, April 1924, p.55

˚✧₊⁎

[from1837to1945]

Moving Picture World, February 16, 1924, p.521

✩₊˚.⋆☾⋆⁺₊✧ ⁩

[from1837to1945]

Wild Oranges (1924, King Vidor)

[from1837to1945]

"I was born in that house, and I've never been anywhere. But I've traveled a lot—on maps I found in grandfather's old books. Japan, Hawaii, India, Spain—"

-Virginia Valli as Millie Stope, Wild Oranges (1924, King Vidor)

[from1837to1945]

"I am speechless with delight. It is perfection. There is not an inch of bunk in it. It is fine and stirring. Setting and camera superb."

-Joseph Hergesheimer

*quotation

Moving Picture World, February 16, 1924, p.521

·͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺⁺˚*•̩̩͙✩•̩̩͙*˚⁺⁺˚*•̩̩͙✩•̩̩͙*˚⁺

[from1837to1945]

"Wild Oranges—at first surprisingly bitter, but after a moment pungent and zestful with a never-to-be-forgotten flavor."

[frankmayo]