hi i bet you get this all the time and you dont have to answer if you dont want to BUT what was your journey to being an Actual Tv Writer like? im looking into becoming a writer but im so out of my depth on how to do it
My journey to being a TV writer is incredibly regular -- it's kind of the template of how it should work. That being said not everyone goes this route, and not everyone who tries it is as lucky as I was! But it's kind of the most "basic" method.
I moved out to LA in 2011 to go to grad school. I don't think grad school is necessary for everyone -- the two biggest things I got out of it were time to write and a close group of friends, so if you can obtain that in other ways you might as well save yourself the $$. While I was in grad school, I worked a little in the industry, freelancing as a script supervisor on a number of student films, vanity projects, webseries, and commercials. I also worked at a couple of internships, where I met more people than just my classmates.
Once I graduated, I kept doing the un/underemployed thing (I read and reviewed self-published novels for rent money) until I was lucky enough to get a job as a production office production assistant on an NBC show called Aquarius. I spent a season getting lunches and running copies for the production office (which includes the accountants, art department, locations, and general office staff). I did that on two more shows before I got hired as the writer's production assistant for The Blacklist. I was still getting lunches and running copies, but for the writers! Woohoo!
After two years of that, there was an opening in the writer's room for script coordinator. The script coordinator is kind of between assistant and writer. I read every script about 1,000 times, proofreading, looking for continuity errors, and keeping up the entire writer's room, cast, and crew all on what was the most current copy of the script. It was an amazing job that was hard as fuck but I really enjoyed because I got to really get into the heads of my bosses. In my second year of that, they told me I could pitch them ideas, and I pitched an idea that became episode 618. I wrote it and it went really well, I think in part because I was so familiar with their voice. After that, they brought me on as a writer full time for season 7, and I was a writer there for the next four years.
My advice to you is twofold --
Work on your writing. I really like Pam Douglas' book "Writing the TV Drama Series." There are some good podcasts, particularly by John August and Craig Mazin, though I'm sure there are others. Read as many scripts as you can. When you have a script, enter contests to get feedback. Here is a great list of the most reputable ones, so you can get feedback and hopefully a little credit to your name if you place highly in one.
Make friends. I find that "networking events" are stupid, but HAVING a network is invaluable. Every TV job I've ever gotten is because I knew someone already working there. Move to LA and start meeting people. For me, besides my grad school classmates, it was improv classes, D&D, and working on the low-budget sets as a script supervisor (different from script coordinator, I know it's confusing), but you can find your own thing. The more friends I made in the TV assistant world, the MORE friends I made. As they say, a rising tide raises all ships, and that has been very true for me. Be nice and cool to everyone -- you never know when that construction PA you worked with on one show might be the in to your next.
Good luck!! Let me know if you have any more questions! :)
I thought I put the link in to the screenwriting contests but I guess not. Here it is: FELLOWSHIP PROGRAMS FOR SCREENWRITERS via the Writer’s Guild Foundation
