La Pointe-Courte (1955) dir. Agnès Varda

if i look back, i am lost
The Bowery Presents
Aqua Utopia|海の底で記憶を紡ぐ

Origami Around
noise dept.
macklin celebrini has autism
ojovivo
cherry valley forever
we're not kids anymore.
taylor price

roma★
Today's Document
Claire Keane

gracie abrams
Fai_Ryy
The Stonewall Inn
wallacepolsom
occasionally subtle

Product Placement

@theartofmadeline

seen from Germany

seen from Belgium

seen from Germany
seen from United States
seen from United States

seen from Italy
seen from United Kingdom
seen from Germany

seen from Australia

seen from United States
seen from Italy

seen from United States

seen from Malaysia

seen from United Kingdom
seen from United States

seen from Russia

seen from Australia

seen from Italy
seen from United Kingdom

seen from Indonesia
@frk-mm
La Pointe-Courte (1955) dir. Agnès Varda
Lucille Ball in DU BARRY WAS A LADY (1943) dir. Roy Del Ruth
BETTE DAVIS in DARK VICTORY (1939)
Vilma Bánky and Ronald Colman in The Winning of Barbara Worth (1926) dir. Henry King
HUMPHREY BOGART and LAUREN BACALL in THE BIG SLEEP (1946)
“She’s just not the girl for me.” “Yeah, she’s only perfect.” “She’s too perfect: she’s too talented, she’s too beautiful, she’s too sophisticated - she’s too everything but what I want.”
Rear Window (1954); dir. Alfred Hitchcock
Sei donne per l'assassino (Mario Bava, 1964)
Estate violenta (Valerio Zurlini, 1959)
via weheartit
Gone with the wind (1939) dir. Victor Fleming
“Dreams, dreams always dreams with you, never common sense.”
The Beauty of A Woman
Baby Driver (2017)