Ryan McGinley photographed by Tim Barber for Bullett Magazine, Summer 2012 www.tim-barber.com
hello vonnie
Cosimo Galluzzi
taylor price
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Interview Vampire Daily
noise dept.
Sade Olutola
The Stonewall Inn
occasionally subtle

shark vs the universe
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🩵 avery cochrane 🩵

roma★
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
almost home
Cosmic Funnies
Lint Roller? I Barely Know Her
seen from Philippines
seen from Tunisia

seen from Ireland
seen from United Kingdom
seen from United States
seen from Uruguay
seen from Australia
seen from United States
seen from United States
seen from United States

seen from Spain
seen from Canada
seen from T1

seen from Syria

seen from Japan

seen from United States
seen from United States
seen from United States
seen from Brazil
seen from United States
@fuckyeahryanmcginley-blog
Ryan McGinley photographed by Tim Barber for Bullett Magazine, Summer 2012 www.tim-barber.com
Which is your most treasured image from either show? Where do you hope it will end up? Marmoset (Horizon Blue) would be my most treasured image, look out for it in the exhibition, it's surreal. I always hope that my photos will end up on a record cover, that's the way I set the bar when deciding on a final image, if it would be a successful LP cover.
Two locations, today (May 2nd) through June 2nd. You know what to do.
Demsey Stewart by Ryan McGinley for Edun S/S 12
Ryan McGinley for Edun S/S 12
Herieth Paul by Ryan McGinley for Edun S/S 12
Ehren Dorsey by Ryan McGinley for Edun S/S 12
Charlotte Free by Ryan McGinley for Edun S/S 12
oystermag: Ryan McGinley for Bono’s Label, Edun
Brandee (Driftwood), 2011
ph. The Arab Parrot
nmom: Ryan McGinley by Chad Moore
ph. Jack Pierson
People let you take these intimate pictures of all that madness without any worries?
Everyone was actually really into it. I think it’s also because we were so fucked up on drugs every single day that the photographs were like the evidence of what happened. I feel like there was a good three years in my life where I don’t think that I had any touches with reality or anything like that. But the photographs were great because it was this evidence of what happened. So I would develop my rolls and then get them back and be like, “Oh my god!” I was just constantly running around doing illegal activities all day long.
How did you come across the concept of only shooting naked people?
When I first started making photographs I would shoot people nude occasionally and I was always just really into it and super fascinated by it. Just the idea of someone taking off their clothes is really exciting and also just watching the human body and studying it with a camera is just something that makes me smile and I think it’s really beautiful. All I know is that when I am shooting people nude it takes me to this other place. I am just so fascinated by the body.
Read the rest over at The Talks
Parakeets, 2011
If you're in Miami, Team Gallery is having a group exhibition at Art Basel Miami Beach from today until Dec. 4!
Year made.
Ryan McGinley photographed by Sandro Kopp