Aqua Utopia|海の底で記憶を紡ぐ
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@fungusstreetart
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if you’re good at the main aspects of graffiti, working with a new space, pushing the boundary's of what is possible, colour palettes, arrangement and the whole dedication that comes with it you've already got a lot of the skills needed to be a professional visual artists.
A Seoul appellate court has upheld a four-month prison sentence for two British men, who were indicted in July on charges of vandalizing trains with graffiti. The court rejected their appeal, Monday, saying they deserve heavy punishment.
Two brothers I know from Manchester, after a sentencing earlier this year in England, shortly after release they got arrested in south Korea for painting trains, they've been held there for 4 month and are only getting sentenced now
The most invested debate in graffiti, is it art or vandalism still goes on today, where do people draw the line. Artists like jean-micheal basquiat and artists from decades later like banksy play a big part in where a lot of people set that line. When basquiat and his friends would write multiple choice questions and bold statements on the walls of new york, this was one of graffitis first steps into the serious art world. And today when artists like Banksy and a couple others works get protected with perspex plastic, it goes to show that things have changed, at least In a financial perspective for the better. But on the other hand a lot more money keeps getting invested into cleaning off other graffiti.
Basquiat was a real game changer for the art world, he had a style of working like no-one else, he had charisma and on top of that the art form he chose to work in initially was illegal, oh and he was black, the first black artist in America to gain any sort of success at the levels he did. He would always listen to music when he painted, usually working on several paintings at a time, channelling the no-wave music and spoken words of the era into his work, also the energy from the Hip Hop and breakdancing cultures going on at the time he would channel into his work, the idea of breaking natural forms and use of bright colours. His art spoke volumes about black oppression, in an interview he is asked about rumours of him being locked in the basement and ordered to paint. To which he says I was never locked in anywhere, if I was white they would have just called me an artist in residents. he went from being broke to having more money than he could have imagined over night after a show in 1981, but Basquiat struggled with the dichotomy of his work being a commercial thing when every body started to approach him asking for work to be made in certain ways and work for company, so he would often start to write not for sale in his paintings.
The first people to really exploit the use of aerosol paint and some would say the true founding fathers of graffiti, people like taki183 and Julio 204, the Philadelphia- and New York-based artists-defacers, who took advantage of the technology to make their tags well known in the 60s and 70s, writing something as simple as there first name and residency number on walls and trains, would never have thought such a simple thing would develop into an art form that will probably last as long as the existence of compressed paint.
subways
some of my own images , documenting FDEP crew. as much as documenting street graffiti what I really want to do is capture the atmosphere created when painting trains. the planning before, and the amount of energy created when in the yards is on another level to street graffiti. everything happens so fast while there, that I want to be able to spend a long time carefully painting scenes from the train yards using stencils .
an image I got permission to use as a study painting, taken in fallowfield
photographs taken on disposable film cameras by homeless people living on the streets of London. this was part of a project by an arts café where they handed out 10035mm film cameras out to the homeless people asking them to simply return the camra’s when they have used them so they could be developed and the best put up in an exhibition .
A photograph of one of my paintings in my home town of Blackburn on the back of the old campbells ammusment. This images was shared on social medias by Gary Aspden, a designer for the Adidas spezials range that I looked at in my research
I have been using Instagram to get in contact with some local photographers already documenting the type of activity that I want to make my final paintings from, and got permission to use a couple of there photographs as a secondary source so I can start to make some paintings while I'm making more graffiti connections to go and document with my own camera