Here's my 2nd (and last) video from Eindhoven, hope you like it.
Michael
The Bright Sessions

@theartofmadeline
sheepfilms

ellievsbear
The Bowery Presents
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NASA

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The Stonewall Inn

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Interview Vampire Daily

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$LAYYYTER

Jar Jar Binks Fan Club
I'd rather be in outer space đž
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almost home

Origami Around
Show & Tell
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@fymybrightestdiamond
Here's my 2nd (and last) video from Eindhoven, hope you like it.
Michael
Paris, France. April 14, 2018.
The French version of "Chapagne!"
(Scroll down for a live video of the same song in English.)
New MBD EP! Champagne, April 27.
From Sharaâs instagram:
âI stood behind a brown skinned young woman at the passport control. âWhere are you going?â was followed by six more minutes of questions for her. Finally her book was stamped and she walked on. I went to the desk next. âWhere are you going?â he asked. âAntwerpâ, I said. STAMP. Without another word from him. I walked behind the other woman for a few minutes and tears fell down my face. I didnât know if I should say anything to her. I thought âHow he dealt with you felt unfair in comparison to me and Iâm sorry you were treated like that.â I could have said. â I was your witness.â But I didnât. I questioned my right to feel the way I did. I made a list in my head about a supposed necessity for national borders or their concerns about the influx of refugees and a bunch of other justifications why I have such ease ⊠but in my gut, baseline, the two interactions with that passport control officer felt vastly unfair as a human. Later at night, I met with Helga and talked about what happened. She said that she was asked to produce a credit card at passport control. She has an American passport. I have never been asked to produce a credit card in the many years Iâve been coming to Europe. We are so used to these âsmall injusticesâ as normal. We accept these differences in questioning at a passport control between white and brown people and justify why it has to be like this. But Underlying is a message to blacks that you donât have as much of a right to be here or move in this world or work. âCome, but definitely ensure me that you are leaving.â As a white musician traveling with black musicians I see the difference in treatment often. Thatâs a perspective not every white person has, to compare side by side, their own movement in the world with their peers who are black and in the exact same situation and see the difference time and time again. Some instances might seem small. But none are. We as a đcommunity have to risk putting ourselves in dialogue, then allow our assumptions to be corrected and adjusted without defense. Our societies are based on ensuring whites remain in power. Our nations were built on imperialism. Itâs not Just.â
New song, new song. Hurrah for whoever taped this.
and if i grow to be a poppy in the graveyard i will send for you my love upon the breeze
This is lovely.
A photo series entitled âShara shredding on her guitar is the best thing.â
From La Blogotheque: "It was in Oct. 2016, in Berlin, during Michelberger Music. Between each show of the festival, we were kidnapping a person in the audience, which we were taking to a secret room where an artist was waiting. Between the two of them, a unique experience : a One To One concert."
Happy birthday, Shara!
My Brightest Diamond â We Added It Up, Live at Le Grand Mix, March 27, 2012.Â
A small clip from âThe Guestâ during last nightâs performance of Unremembered. I love these vocals so much.
March 11, 2017, Minneapolis, Minnesota.
Saw Unremembered again with Shara Nova, DM Stith and Padma Newsome. Beautiful piece. And with the lyrics in hand quite intense too. It all made more sense together with the art and music. Even felt a tear welling up during The Swan.
Shara Nova and me
How could we not reblog this?
Aaaand another new song: "If I Ever Get a Chance At Love." So much fun to hear all of this new music!
Thanks to YouTube user Christel Mastenbroek for this one.
Crosslinx Festival, 2017.
"Just a photo from MDBâs energetic gig yesterday at CrossLinx Eindhoven. It was very loud, way too loud for my little cameraâs tiny microphones, so - no video."
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Thank you for the submission, kind anonymous photographer!
Impressions of Cross-Linx festival in Rotterdam, March 4 2017. Pieces of Umremembered (composed by Sarah Kirkland Snider, words & art by Nathaniel Bellows) performed by Shara Nova, DM Stith, Padma Newsome and the Doelen Orchestra + Codarts Orchestra. And later in the evening a show by My Brightest Diamond!!Â