MILE A MINUTE : THE VINE THAT ATE THE SOUTH

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MILE A MINUTE : THE VINE THAT ATE THE SOUTH
𝙢𝙚𝙡𝙖𝙣𝙘𝙝𝙤𝙡𝙞𝙘𝙖𝙡𝙡𝙮 𝙗𝙚𝙖𝙪𝙩𝙞𝙛𝙪𝙡 𝙩𝙝𝙞𝙣𝙜𝙨:
empty perfume bottles
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pressed flowers
smell of soil after rain
old books with dust all over them
walking all alone in a museum hall
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Italian Folklore: The Tale of “La Fata Bema”
In the area of Montechiarugolo, just slightly southeast of Parma there is a folktale told today with full conviction of its truth. This is the tale of la Fata Bema, or the Faery Bema—the tragic story of a local witch.
It began at the Castle of Montechiarugolo, the likes of which changed hands a few times between the twelfth and thirteenth centuries. It eventually ended up in the possession of the Torelli family, the most notable exponent being a man named Pomponio—a prolific writer and poet. Thanks to him, the castle attracted many famous personalities over the years, particularly Pope Paul III and King Francis.
Pomponio was well loved by the people, especially for his parties. He loved to fill the villages with music and light. One fateful night in 1593 during such an event he attracted a group of strangers not entirely of the world; the lovely Fata Bema and her hulking companion Max.
They told fortunes throughout the village. During this time, Bema managed to make a pleasing impression. It was with reluctance that Pomponio watched them make their goodbyes. Max and Bema went on to travel the length of Italy—he as an acrobat (and presumably, a thief) and she as an infallible fortune teller; a woman with the power to see what others could not.
One day during the month May, Bema and Max returned to the area and set up a stage in the woods preferred by Ranuccio Farnese, Duke of Parma, who would often travel there to hunt boar. The young Pio Torelli, son of Pomponio was among the crowds that gathered. He approached to ask about his future. After some prompting, Bema reluctantly augured his death. “I see a lake of blood,” she said, “on which noble heads float and I also see the head of this child.” But none took her seriously. None, save the Duke himself; an irascible, sickly old man who had taken a vow to rid the country of witches and fortune tellers, in order to better his own health.
Immediately, Farnese had Bema seized to be taken to Rocchetta prison where she was to face a miserable sentence. Bema was saved only at the last moment at the border of Montecchio. She turned to ask for the aid of Pomponio and he agreed to intercede on her behalf, but only if she agreed to remain as a fixture of the castle. Thus, together they returned to Montechiarugolo where Bema was ordered to remain.
Eventually, Pomponio’s son Pio grew into a man who became quite smitten with the mysterious, elfin woman. Bema was a witch at court, ordered to help manage the household with her otherworldly knowledge. Bema shared his feelings but while together they often met, she still refused the offer of marriage—not for her sake, but his own. Bema explained that she was too lowly of status to marry him. Disappointed, Pio left to serve the Duke at Parma, if only to soothe his mind.
Bema feared she would not see him again—and unfortunately, she was right. Ranuccio Farnese, seeing an opportunity to seize some of the assets of the nobility had Pio arrested in a plot, along with several others. In a panic, she sent Max to free him from Rochetta prison and together the two escaped, but just one step from freedom they were confronted by Farnese’s men. The soldiers cut Max down and took Pio back to prison, where he waited to face his execution.
On May 19, 1612, Pio Torelli was beheaded in Piazza Grande (known now as Piazza Garibaldi) along with the others arrested in the Farnese plot, realizing the prophecy Bema once had given. Alone and distraught, the Fae remained in the fiefdom of Montechiarugolo, offering all she had to the villagers that lived there, caring especially for the elderly and infirm. Bema was universally admired for her strength and well-loved by the people. It was only some years later life that Duke Farnese forced her to move from the court to the country. There, she simply disappeared—and it was then that her legend began.
After Bema’s disappearance, a mummy was found in the dungeons of Montechiarugolo castle. With it, was a message: “This is the body of Bema,” it said, “who lives happily here and desires not to be taken from her bed.”
Surprisingly Bema remains there today—and not for a lack of people trying to move her! Every attempt to move the body of La Fata Bema from Montechiarugolo has been met with an array of natural disasters to the area, such as pestilence and flooding.
La Fata Bema is adored by the people and it is said she is a kind and gentle spirit. Certain legends report that she can be sometimes seen by lovers. Bema comforts the broken-hearted and those that suffer for love. She’s even said to visit young women on the eve of their wedding to offer gentle instruction and advice. But the most prolific legend of all is one in which the people still gather to witness.
They say every year the night between 18th and 19th of May, on the anniversary Pio’s death, Bema ascends the keep of the castle and turns her mournful gaze to the city of Parma—the city she could not reach to save the one she loved.
If you’re interested in reading this story in its entirety, check out the novel “La Fata Bema” by Alfonso Cavagnari!
What is written above was translated and compiled from several sources. Ordinarily, I would share them here but tumblr no longer tags posts that contain links of any kind. If you’re interested, simply send me an ask. I’d be happy to send you what I have.
—Prism
Ver "Hay un Mensaje Oculto en el Paracaidas del Robot Perseverance que Descendio en Marte" en YouTube
En paz https://www.instagram.com/p/CIJKkj-AHZGn2BRsae1vMl5Z40OQdSQDAkfoII0/?igshid=1vjt680f9kamq
Detail from William Frederick Yeames’s “Amy Robsart” (on display at Tate Britain).
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Masterpost of Free Romantic Literature & Theory (European) (Gothic Literature)
British Romanticism
Songs of Innocence & Songs of Experience by William Blake Poems and Songs of Robert Burns Don Juan & Childe Harold’s Pilgrimage by Baron George Gordon Byron Collected Poetry of Lord Byron The Rime of the Ancient Mariner by Samuel Taylor Coleridge Lyrical Ballads, With a Few Other Poems by Coleridge and Wordsworth Collected Poetry by John Keats Ivanhoe; Waverly & The Lady of the Lake by Walter Scott The Complete Poetical Works by Percy Bysshe Shelley
French Romanticism
The Count of Monte Cristo; The Three Musketeers & The Man in the Iron Mask by Alexandre Dumas One of Cleopatra’s Nights and Other Fantastic Romances by Théophile Gautier Notre Dame de Paris & Les Misérables by Victor Hugo Collected Prose and Essays of Victor Hugo Poems by Victor Hugo Carmen by Prosper Mérimée The Red and the Black by Stendhal Cinq Mars by Alfred de Vigny
German Romanticism
Were I a Little Bird; The Mountaineer; As Many as Sand-grains in the Sea; The Swiss Deserter; The Tailor in Hell & The Reaper by Ludwig Achim von Arnim and Clemens Brentano The Broken Ring by Joseph von Eichendorff Faust by Johann Wolfgang von Goethe Collected Poetry by Johann Wolfgang von Goethe The Sorrows of Young Werther by Johann Wolfgang von Goethe Fairytales by Jacob and Wilhelm Grimm The Prose Writings of Heinrich Heine by Heinrich Heine Hegel’s Philosophy of Mind by Georg Wilhelm Friedrich Hegel The Golden Pot; The Sandman & The Devil’s Elixir by Ernst Theodor Amadeus Hoffmann Undine (Selections) by Friedrich Baron de la Motte-Fouqué Henry of Ofterdingen: A Romance by Novalis The Iron Idol by Jakob Schaffner The Robbers & Mary Stuart: A Tragedy by Friedrich Schiller Tales from the “Phantasus,” etc. by Ludwig Tieck
Polish Romanticism
Moja Beatrice by Zygmunt Krasiński Pan Tadeusz by Adam Mickiewicz Anhelli by Juliusz Słowacki
Russian Romanticism
A Hero of Our Time by Mikhail Iurevich Lermontov Poems by Alexander Pushkin Eugene Onegin by Alexander Pushkin Collected Works of Alexander Pushkin Collected Poetry by Fyodor Tyutchev Poems by Vasily Zhukovsky
Spanish Romanticism
Cantares gallegos by Rosalía de Castro El Estudiante de Salamanca and Other Selections by José de Espronceda The Cid Campeador: A Historical Romance by Antonio de Trueba
Historical Theory and Background
Literary and Philosophical Essays: French, German and Italian The French Revolution of 1789 by John S. C. Abbott Rousseau and Romanticism by Irving Babbitt A History of English Romanticism in the Eighteenth Century by Henry A. Beers Main Currents in Nineteenth Century Literature - The Romantic School in Germany by Georg Brandes On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle The Sacred Wood: Essays on Poetry and Criticism by T. S. Eliot The Destiny of Man by Johann Gottlieb Fichte The Faust Legend from Marlowe to Goethe by Kuno Francke The Hero of Esthonia and Other Studies in the Romantic Literature by W. F. Kirby Romantic Ireland by M. F. Mansfield and Blanche McManus The Diary of Dr. John William Polidori, 1816, Relating to Byron, Shelley, etc. Romance: Two Lectures by Sir Walter Alexander Raleigh The Social Contract & Discourses by Jean-Jacques Rousseau A Defence of Poetry and Other Essays by Percy Bysshe Shelley On Liberty by John Stuart Mill The Legend of Sir Lancelot du Lac by Jessie L. Weston
Academic Theory
Introduction: Replicating Bodies in Nineteenth-Century Science and Culture by Will Abberley Walter Scott’s works perception by his russian contemporaries by O. G. Anossova Theories of Space and the Nineteenth-Century Novel by Isobel Armstrong The Romantic subject as an absolutely autonomous individual by Miljana Cunta Russian-German Connections in the Editing Practice in the Mid-19th Century: Vasiliy Zhukovsky and Justinus Kerner by Natalia Egorovna Nikonova and Maria Vladimirovna Dubenko Fichte as a Post-Kantian Philosopher and His Political Theory: A Return to Romanticism by Özgür Olgun Erden Negotiating boundaries: Encyclopédie, romanticism, and the construction of science by Marcelo Fetz Wandering Motive and Its Appeal on Reluctantly Wandering Franz Schubert by Dragana Jeremić-Molnar The Caucasian Motif in Fyodor Dostoyevsky’s ‘House of the Dead’ in the Light of the Polemic with Lermontov by Xuyang Mi The Core of Romanticism by Monika Milosavljević Romantic worldview as a narcissistic construct’by Branko Mitrović Topographic Transmissions and How To Talk About Them: The Case of the Southern Spa in Nineteenth-Century Russian Fiction by Benjamin Morgan Lermontov’s Romanticism and Jena School by Liudmila G. Shakirova The Self in a Crystal Sphere: Juliusz Słowacki’s Concept of the Subject (in his works from the 1830) by Marek Stanisz The Many Faces of Nature: An Ecocritical Reading of the Concepts of Wilderness and the Sublime in John Keats’ Selected Poems by Morteza Emamgholi Tabar Malakshah & Behzad Pourqarib
"And you wish to be a poet; and you wish to be a lover"
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