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@gardenia-pleasures
making their way through the digestive system
The Last Mango
It’s hard
That little fruit talking to you
The bag boy hating to see them go
But you had the spending money
They said they were hot & spicy
A cheap price to bruise the flesh
“Gently, towards the middle of the bag”
Putting it in the trunk yourself
It’s hard not to cut sitting on the bumper
Cool, sun through tint warm, to refrigerate
You’ll peek for three hours
Until we make our juice
2000 lbs.
BY BRIAN TURNER
Ashur Square, Mosul
It begins simply with a fist, white-knuckled
and tight, glossy with sweat. With two eyes
in a rearview mirror watching for a convoy.
The radio a soundtrack that adrenaline has
pushed into silence, replacing it with a heartbeat,
his thumb trembling over the button.
~
A flight of gold, that’s what Sefwan thinks
as he lights a Miami, draws in the smoke
and waits in his taxi at the traffic circle.
He thinks of summer 1974, lifting
pitchforks of grain high in the air,
the slow drift of it like the fall of Shatha’s hair,
and although it was decades ago, he still loves her,
remembers her standing at the canebrake
where the buffalo cooled shoulder-deep in the water,
pleased with the orange cups of flowers he brought her,
and he regrets how so much can go wrong in a life,
how easily the years slip by, light as grain, bright
as the street’s concussion of metal, shrapnel
traveling at the speed of sound to open him up
in blood and shock, a man whose last thoughts
are of love and wreckage, with no one there
to whisper him gone.
~
Sgt. Ledouix of the National Guard
speaks but cannot hear the words coming out,
and it’s just as well his eardrums ruptured
because it lends the world a certain calm,
though the traffic circle is filled with people
running in panic, their legs a blur
like horses in a carousel, turning
and turning the way the tires spin
on the Humvee flipped to its side,
the gunner’s hatch he was thrown from
a mystery to him now, a dark hole
in metal the color of sand, and if he could,
he would crawl back inside of it,
and though his fingertips scratch at the asphalt
he hasn’t the strength to move:
shrapnel has torn into his ribcage
and he will bleed to death in ten minutes,
but he finds himself surrounded by a strange
beauty, the shine of light on the broken,
a woman’s hand touching his face, tenderly
the way his wife might, amazed to find
a wedding ring on his crushed hand,
the bright gold sinking in flesh
going to bone.
~
Rasheed passes the bridal shop
on a bicycle, with Sefa beside him,
and just before the air ruckles and breaks
he glimpses the sidewalk reflections
in the storefront glass, men and women
walking and talking, or not, an instant
of clarity, just before each of them shatters
under the detonation’s wave,
as if even the idea of them were being
destroyed, stripped of form,
the blast tearing into the manikins
who stood as though husband and wife
a moment before, who cannot touch
one another, who cannot kiss,
who now lie together in glass and debris,
holding one another in their half-armed embrace,
calling this love, if this is all there will ever be.
~
The civil affairs officer, Lt. Jackson, stares
at his missing hands, which make
no sense to him, no sense at all, to wave
these absurd stumps held in the air
where just a moment before he’d blown bubbles
out the Humvee window, his left hand holding the bottle,
his right hand dipping the plastic ring in soap,
filling the air behind them with floating spheres
like the oxygen trails of deep ocean divers,
something for the children, something beautiful,
translucent globes with their iridescent skins
drifting on vehicle exhaust and the breeze
that might lift one day over the Zagros mountains,
that kind of hope, small globes which may have
astonished someone on the sidewalk
seven minutes before Lt. Jackson blacks out
from blood loss and shock, with no one there to bandage
the wounds that would carry him home.
~
Nearby, an old woman cradles her grandson,
whispering, rocking him on her knees
as though singing him to sleep, her hands
wet with their blood, her black dress
soaked in it as her legs give out
and she buckles with him to the ground.
If you’d asked her forty years earlier
if she could see herself an old woman
begging by the roadside for money, here,
with a bomb exploding at the market
among all these people, she’d have said
To have your heart broken one last time
before dying, to kiss a child given sight
of a life he could never live? It’s impossible,
this isn’t the way we die.
~
And the man who triggered the button,
who may have invoked the Prophet’s name,
or not—he is obliterated at the epicenter,
he is everywhere, he is of all things,
his touch is the air taken in, the blast
and wave, the electricity of shock,
his is the sound the heart makes quick
in the panic’s rush, the surge of blood
searching for light and color, that sound
the martyr cries filled with the word
his soul is made of, Inshallah.
~
Still hanging in the air over Ashur Square,
the telephone line snapped in two, crackling
a strange incantation the dead hear
as they wander confused amongst one another,
learning each other’s names, trying to comfort
the living in their grief, to console
those who cannot accept such random pain,
speaking habib softly, one to another there
in the rubble and debris, habib
over and over, that it might not be forgotten.
Your Keys
Why go to city anymore
When your brothers, sisters, & the pale people
Just hate their relationship with the boulevard planters
& why you won’t kiss them by the dumpster.
I’ve got it hard out here, lady.
Paying for my luggage to air condition
In the Drake.
I got hard out here, mister.
No one will let me eat a sandwich in the park.
But you tell me to keep running,
To the little mountain with the tires,
To railings and handle bars and people I miss.
Sure they shake when I see them but so do their shoulders.
We laugh, staying out of graveyard of no ones.
The moon muscles in to tap my watch
And I hang up my life preserver.
Eyes slash with smiles and it not our job.
I’m one of the old, they are the jet set,
& my depot is waiting for the delivery
Of fresh grain and the lumber the banal owe.
The North Sea - Patrick von Kalckreuth , 1955.
German , 1898-1970
Oil on canvas , 70.2 x 100.9 cm. 27 5/8 x 39¾ in.
Patrick von Kalckreuth German , 1898-1970), The North Sea, 1955. Oil on canvas, 100.9 x 70.2 cm.
Parade
By Tony Hoagland
Peter says if you’re going to talk about suffering
you have to mention pleasure too.
Like the way, on the day of the parade, on Forbes Avenue,
one hundred parking tickets flutter
under the windshield wipers of one hundred parked cars.
The accordion band will be along soon,
and the famous Flying Pittsburgettes,
and it’s summer and the sun is shining on the inevitable flags—
Something weird to admire this week on TV:
the handsome face of the white supremacist on trial.
How he looks right back at the lawyers, day after day
—never objecting, never making an apology.
I look at his calm, untroubled face
and think, That motherfucker is going to die white and right,
disappointing everyone like me
who thinks that punishment should be a kind of education.
My attitude is like what God says in the Bible:
Love your brother, or be destroyed.
Then Moses or somebody says back to God,
If I love you,
will you destroy my enemies?
and God says—this is in translation—, No Problemo.
Here, everyone is talking about the price of freedom,
and about how we as a people are united in our down payment.
about how we will fight to the very bottom of our bank account.
And the sky is so blue it looks like it may last forever
and the skinny tuba player goes oompahpah
and everybody cheers.
In the big store window of the travel agency downtown,
a ten-foot sign says, WE WILL NEVER FORGET.
The letters have been cut with scissors out of blue construction paper
and pasted carefully to the sign by someone’s hand.
What I want to know is, who will issue the ticket
for improper use of the collective pronoun?
What I want to know is, who will find and punish the maker
of these impossible promises?
Opening
I want to work in a machine shop today
To prove to everyone I finally quit
Rolling my eyes at the clock boss
Or caring if I lose a finger
I wanna feel a paycheck after GoJo
The color of the paper enough
To get me home & fed & into bed
My shoes unstylish and worn
But no one trusts an old wobble
So I sit by my window and write
About how it might clear
And everything is fine understaffed
Painting by Priscilla Watkins
Act Class
It was hot on Winnamac
I’d been working all week
To afford beer next fall
While you brought home
My cousin without
The proper paperwork
I listened to the Sox
Fall out of a dream
As you two bickered
With the neighbors
On who’s pot
Is better today
Later all three of us
Went to heaven
During a thunderstorm
The only way to go
And forget for 20 years
You and them
Are probably why
That color of yellow
Makes me frisky still
Rolling in my sheets at 6 am
The Metallurgical Foundation of Jazz
Now a golden age of culture spectors
So smooth I fear I would want to miss it
The simplest task of making notes Utilitarian until you’re out
Draws little blood to my brain
When I think it
Instead personally I suspect
My halcyon period will go down as bronze
For we had the latex condom
And while the love wasn’t free, it was
Tightly tooled and welded
Like the last glove maker of a civil war
But a silver age of art? How I taste my own
Guillotine when the rich can figure it out
How paying it off, melting it down, lazily
Commenting “You could do better”
Seeing where a well covered sneer leads to…
Will that be credit card or credit phone?
Kate Mary - Time To Bloom, 2026 - Acrylic on canvas
Starless Crook County
“Ideally, I will have sex on a mountain this year”
I immediately attempt to round a percentage number
Of midwesterners who died with this being the only
Goal in their hearts
It seems so easy unless you ever had to feed a lover
Or never woke up to have a lean over the railing
Checking if stars are available through wildfire smoke
People are just mean to the simple
So I get waved at and locals always know I swim
That pine is possible with gulf sea foam blues
& greens
And my grandmother had more money than some lazy farmers
This is the old Lutheran Brotherhood building built by Breckel in downtown Minneapolis, now used as county offices. It was built in 1980 and was very oddly occult to work in.