Euseby Cleaver (1746–1819), Archbishop of Dublin, 1796, George Romney
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@george-romney
Euseby Cleaver (1746–1819), Archbishop of Dublin, 1796, George Romney
Elizabeth Allen (Mrs Josiah Wedgwood II) (1764–1846), George Romney
https://www.wikiart.org/en/george-romney/elizabeth-allen-mrs-josiah-wedgwood-ii-1764-1846
Busts of Two Women, Jean-Antoine Watteau, 18th century, Harvard Art Museums: Drawings
Harvard Art Museums/Fogg Museum, Gift of Charles E. Dunlap Size: 15.9 x 21.2 cm (6 ¼ x 8 3/8 in.) Medium: Black and red chalk with touches of black and white chalk, and white gouache on cream antique laid paper
https://www.harvardartmuseums.org/collections/object/296105
William Pitt the Younger, George Romney, 1783, Tate
Bequeathed by Admiral John E. Pringle 1908 Size: support: 870 x 660 mm frame: 1138 x 948 x 103 mm Medium: Oil paint on canvas
http://www.tate.org.uk/art/artworks/romney-william-pitt-the-younger-n02280
Portrait of E. A. Vorontsova, 1783, Dmitry Levitzky
Medium: oil,canvas
Serena Reading, 1785, George Romney
https://www.wikiart.org/en/george-romney/serena-reading-1785
Abraham Rawlinson (1709–1780), 1772, George Romney
General Sir Archibald Campbell (1739–1791), Soldier, George Romney
Thomas Holme, Mayor of Kendal (1741–1742 & 1755–1756), George Romney
https://www.wikiart.org/en/george-romney/thomas-holme-mayor-of-kendal-1741-1742-1755-1756
Count Nils Bielke, Rosalba Carriera, Nationalmuseum, SWE
http://collection.nationalmuseum.se/eMuseumPlus?service=ExternalInterface&module=collection&objectId=24053&viewType=detailView
The Pool of Bethesda, 1736, William Hogarth
Medium: oil,canvas
https://www.wikiart.org/en/william-hogarth/the-pool-of-bethesda-1736
Emma Hart (c.1765–1815), Lady Hamilton, as Calypso, 1792, George Romney
Midshipman George Cumberland, 1780, George Romney
Lizanka and Dashenka, 1794, Vladimir Borovikovsky
Medium: oil,canvas
James Macpherson, 1780, George Romney
https://www.wikiart.org/en/george-romney/james-macpherson-1780
Study for "The Lapland Witch", George Romney, c. 1775-1777, Minneapolis Institute of Art: Prints and Drawings
seated and crouched figure with hands clenched and large shadow behind George Romney embraced the “sublime,” the flip side of the Age of Enlightenment. He was obsessed with the passions, the power of nature, the supernatural—those forces beyond human comprehension and control. In the popular imagination of the 18th century, Lapland was home to witches capable of raising storms and causing shipwrecks, and Romney wanted to capture their magic. His efforts began with fiery sketches like this one. In 1778, Romney’s friend and biographer William Hayley wrote a verse on the artist’s conjuring of a Lapland witch. Note his comment that the freedom of the artist’s drawing would need to be tempered when it came time to execute the painting. "Round fancy’s circle when thy Pencil flies, With what terrific pomp thy Spectres rise! What lust of mischief marks thy Witch’s form, While on the Lapland Rock she swells the storm! Tho’ led by Fancy, thro’ her boundless reign, Well dost thou know to quit her wild domain, When History bids thee paint, severely chaste Her simpler scene, with uncorrupted taste." Size: 19 5/8 x 11 13/16 in. (49.85 x 30 cm) (sheet) 29 5/8 × 23 9/16 × 1 13/16 in. (75.25 × 59.85 × 4.6 cm) (outer frame) Medium: Brush and brown wash, with pen and brown ink over graphite
https://collections.artsmia.org/art/19476/
The Feasts of Venice, 1717, Jean-Antoine Watteau
Medium: oil,canvas