Me: *eats the proper amount of calories*
Ed: congratulations on your binge bitch
If that ain’t the fucking truth-
me right now after breakfast
Xuebing Du
"I'm Dorothy Gale from Kansas"
Cosmic Funnies

JVL
art blog(derogatory)
RMH

ellievsbear

❣ Chile in a Photography ❣

pixel skylines
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
Lint Roller? I Barely Know Her
trying on a metaphor

PR's Tumblrdome
$LAYYYTER

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⁂
Claire Keane
occasionally subtle

#extradirty
seen from Brazil
seen from Germany

seen from Singapore

seen from Singapore
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seen from Türkiye

seen from Italy
seen from United States
seen from United States
seen from United States
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seen from United States
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seen from United States
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seen from United States
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seen from United States
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seen from United States
@ghastlycrw
Me: *eats the proper amount of calories*
Ed: congratulations on your binge bitch
If that ain’t the fucking truth-
me right now after breakfast
Eat me
from “Beijing Photos” (1987) photo by Bethsabée Süssmann
De Profundis Clamavi - Leoncio Harmr
Man with his skin (2000) - Peter Zokosky
Prometheus Bound (Detail), 1611–1612. By Peter Paul Rubens
The Falconer (1863) - Tranquillo Cremona
10,000 Pigeon Feathers Cascade from a Bookcase in Kate MccGwire’s Latest Installation
Anthony Hurd’s “Current Mood” at Thinkspace Projects.
Currently virtually on view at Thinkspace Projects in Los Angeles, California is artist Anthony Hurd’s solo exhibition, “Current Mood.”
This new series of works for “Current Mood” started during the pre-Covid19 quarantine. The original painting that inspired this direction was based on an experience Hurd had as a child. He would have this recurring event, from about the age of 7 to 15, where he would wake up and see what looked to be like an indigenous mask sticking out from under his bed in various locations, watching him sleep, when he would awake and see it, the mask would vanish before his eyes or disappear under his bed. Hurd’s mother instilled fear in him, through her religious beliefs, that this was the work of Satan and that he needed to pray for his soul. His mother’s efforts of fear won him over and he spent many years worried about the reappearance of the masks and their meaning.
Recently, Hurd has started doing some soul searching and really forcing himself to face his hidden fears, and in doing so, set out to create a version of these masks / protectors from his childhood. The practice has evolved into endless explorations that have taken on many new meanings. These masks continue to take on new meaning, as our political climate continues to spiral, racial struggles come to the forefront, the LGBTQIA community have their rights stripped away, and the resulting fear that can be witnessed in people the world over. The masks act as the skin under our skin, a shield for our ever changing moods and emotions. They are a shield to help us face to the world evolving around us. “Current Mood” aims to set the tone of America at large. The good, the bad, and the indifferent. It’s a face we can each relate to a different way.
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Be sure to follow Supersonic Art on Instagram!
flamingos flying over tanzania’s lake natron, a salt lake which is home to three quarters of the world’s three million lesser flamingos, as well as toxic multicoloured extremophile cyanobacteria that thrive in water so hypersaline it would strip away human skin. for the flamingos, however, the tough skin and scales on their legs prevents burning, leaving them uniquely free to drink from the near boiling freshwater found from springs and geysers at the lake’s edges. (x, x, x, x, x)
Blood drop/cut throat pearl necklace by Hell’s Belle designs.
恋路海岸
Andrew Hem, New Works.
Fantastic new works by artist Andrew Hem on view virtually at Klein Projects.
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Be sure to follow Supersonic Art on Instagram!
Danaë (1891) by Alexandre Jacques Chantron
Winged Tapestries: Moths at Large, a special exhibition of oversized prints by Canadian artist Jim des Rivière