ORIGINS
Jules of Nature

shark vs the universe

tannertan36

ellievsbear

No title available

Kaledo Art
occasionally subtle
Mike Driver
Stranger Things
todays bird
šŖ¼
Game of Thrones Daily

Love Begins

#extradirty
let's talk about Bridgerton tea, my ask is open
Misplaced Lens Cap

ē„ę„ / Permanent Vacation
Monterey Bay Aquarium

Janaina Medeiros

if i look back, i am lost
seen from United States
seen from United Kingdom
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seen from Malaysia

seen from Malaysia
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seen from Türkiye

seen from Malaysia
seen from Australia
seen from United States
seen from Australia
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seen from South Africa
seen from Singapore
seen from Latvia
seen from Argentina

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seen from Finland

seen from United Kingdom
@giancarlovolpe
ORIGINS
ćć«ćć£ć/2019
These
Tables
Are
So
Freakin
GOOD!
Shoutout to Lady Tiefling for being kickass.
Wonder Woman commissions, sketches, pieces, some for me, some for others. Canāt wait for the movie!
The significance of plot without conflict
In the West, plot is commonly thought to revolve around conflict: a confrontation between two or more elements, in which one ultimatelyĀ dominates the other. The standard three- and five-act plot structuresāwhich permeate Western mediaāhave conflict written into their very foundations. A āproblemā appears near the end of the first act; and, in the second act, the conflict generated by this problem takes center stage. Conflict is used to create reader involvement even by many post-modern writers, whose work otherwise defies traditional structure.
The necessity of conflict is preached as a kind of dogma by contemporary writersā workshops and Internet āguidesā to writing. A plot without conflict is considered dull; some even go so far as to call it impossible. ThisĀ has influencedĀ not onlyĀ fiction,Ā butĀ writingĀ in generalāarguably evenĀ philosophy.Ā Yet, is there any truth to this belief? Does plot necessarily hinge on conflict? No. Such claims are a product of the Westās insularity. For countless centuries, Chinese and Japanese writers have used a plot structure that does not have conflict ābuilt inā, so to speak. Rather, it relies on exposition and contrast to generate interest. This structure is known as kishÅtenketsu.
Keep reading
I held a storyboarding class the other day where this post came up in discussion, so I thought I repost it for future reference. Does storytelling HAVE to have conflict? I thought they made an interesting case for - not necessarily.
Read the full article by Savannah Gilbo here
āŖDo you ever get a LEGO set you wanted so bad that you canāt even open the box because you need to savor the moment as long as possible
reiå Ā - Ā http://www.uchor.com/U/1000745 Ā - Ā http://www.poocg.com/rei17/index
Just a quick process video for this drawing I did. This took me just over an hour but would probably have taken less if I wasnāt stumbling with alpha locks and clipping masks. But now I know!
Simple Procreate finger doodles
Here are a few new tutorials on my gumroad page! Have a great Monday! (images created for patreon.com/tycarter)
Iām on twitter now,Iāll be posting more often there.
https://twitter.com/lingy000
my world, but in Blue. Hue experiments, 2019 more tutorials, here:Ā https://gumroad.com/sparth
Spider-Man: Into the Spider-Verse ( art dump part ¼ )
Yay we won the Oscars~ Here are some of the art and design I did for Spider-Verse. I included some sketches to show my process. Feel very proud and lucky to be part of this project~ Congrats to Sony and the team!
ocean of lily pads
instagram | twitter | patreon
Strongholds & Followers (MCDM) Servitors (part 2) by Justin Cherry
āGive me your house, give me your things, Iām in your head, Iām in your dreams, I want your face, I want your skin, I want your name, I want to live, I want everything You know that Iām the worstā
www.instagram.com/arthursevestre