
祝日 / Permanent Vacation

❣ Chile in a Photography ❣
taylor price
"I'm Dorothy Gale from Kansas"

Origami Around
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occasionally subtle

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Discoholic 🪩
Monterey Bay Aquarium
Alisa U Zemlji Chuda
Acquired Stardust

JBB: An Artblog!

shark vs the universe
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Aqua Utopia|海の底で記憶を紡ぐ
tumblr dot com

#extradirty
2025 on Tumblr: Trends That Defined the Year

seen from United States
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seen from Chile
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@gigglebangs
Orvieto, Italy (by Giuseppe M)
Oppenheimer (2023) dir. Christopher Nolan
Seinfeld – 4.09: The Virgin
THE IRON CLAW (2023) dir. Sean Durkin
NO HARD FEELINGS (2023) dir. gene stupnitsky
#every girl in her thirties refusing to move on from our twenties
EVERYTHING EVERYWHERE ALL AT ONCE (2022) Dir. Daniel Kwan & Daniel Scheinert
SUCCESSION out of context
“Go to our aunt and uncle’s in London, let it be known you are there, and I am sure he will come to you.”
PRIDE AND PREJUDICE (2005) dir. Joe Wright
CAST OF SUCCESSION: advice to their characters
dam…….. that website “you feel like shit” (it’s like a questionnaire / troubleshooting guide for when you feel like shit) really works………………….. im not even all the way thru it and i even half-assed a lot of the suggestions and i already feel loads better
for some reason, with this website, i was able to complete small tasks ive been fruitlessly bugging myself to do for weeks??
anyway, i feel almost good now :^)
im glad this got some notes!!!! i hope it helps y’all find some measure of peace or comfort <3
This is astonishing. I’m going to use and save.
PRIDE AND PREJUDICE 2005 | Joe Wright
13 GOING ON 30 (2004), dir. Gary Winick.
PERIODDRAMA APPRECIATION WEEK 2023
Day 6: Favorite character ( Emma Woodhouse )
FERRIS BUELLER'S DAY OFF (1986) dir. John Hughes
But one is a stranger, a woman she notices while she sits on a bench, gathering herself. It’s a type of woman she has never seen before, because there are no old women in Barbieland. When Barbie looks at her, she finds her beautiful and tells her so. The woman already knows. Suddenly Barbie, the fraught aspirational figure, has beheld someone she might aspire to be, and it is a radiantly content nonagenarian, reading a newspaper on a Los Angeles bench, who knows what she’s worth.
“The idea of a loving God who’s a mother, a grandmother — who looks at you and says, ‘Honey, you’re doing OK’ — is something I feel like I need and I wanted to give to other people,” Gerwig says. When it was suggested that this scene, which Gerwig calls a “transaction of grace,” might be cut for time, she remembers thinking: “If I cut that scene, I don’t know why I’m making this movie. If I don’t have that scene, I don’t know what it is or what I’ve done.”