North African girl on a vintage postcard

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North African girl on a vintage postcard
Frank W. Benson - "Candlelight" (1915)
David B. Milne, The Big Dipper, 1936, oil on canvas, 31.4 x 35.6 cm
Remedios Varo (Spanish-Mexican, 1908â1963)
Angustia (Pesadilla), 1947
Portrait of an African-American boy, 1850s.
Getty Museum
Drawing included in a letter from Friedrich Gundolf to Elisabeth Salomon, 9 August 1916.
âIn Gundolfs Briefen und Gedichten an Elisabeth Salomon gewinnt der erotische und sexuelle Bereich seines poetisch-epistolaren Kosmos an Kontur. Ein wesentliches Element sind die im Briefwechsel wiederkehrenden Motive der Fesselung des Mannes an Seilen, Ketten oder BĂ€ndern der Frau. Das Andreaskreuz, Symbol der erotischen Fesse-lung, findet sich mehrfach als Randzeichnung in seinen Briefen. Daneben steht als weiteres Symbol das Pentagramm, von Gundolf als âHexensiegel[]â deklariert. Die Gestalt der Lilith zitiert er in ihren ikonographischen Varianten als DĂ€monin der Nacht oder als Mischwesen zwischen Schlange und Frau. In den spĂ€teren Jahren des Briefwechsels wird diese dĂ€monische Symbolik durch das Bild des flammenden Herzens ersetzt.â
Friedrich Gundolf + Elisabeth Salomon, Briefwechsel (1914â1931) (Berlin: De Gruyter, 2015)
Gothic Dark Glamour. Digital image. Sites.fitnyc.edu. N.p., n.d. Web. 27 Apr. 2016.
Ball, Black and Co., New York Pendant and earring set Vulcanite; leather case Circa 1880Â
âThis post-Reformation view extends to the commemorative material culture of the Victorian period, a time widely understood to be the heyday of sentimental jewellery production and use. In her discerning examination of Victorian customs and beliefs, historian Patricia Jalland proposes that external symbols of remembrance, such as mourning dress, helped to identify the mourner, and thus assisted in providing a helpful rite of passage for the bereaved (parmar, bharti,âa grammar of sentiment thinking about sentimental jewellery towards making new art about love and loss.â thesis. university of wolverhampton, 2009, pg.65, oct. 2008. web).â Â
Numerous styles of hairwork (hair art). One of the most popular designs or styles was the âPrince of Walesâ.Â
Philipp Otto Runge (German, 1777 - 1810) - Thistle. Paper collage laid on paper, 31 by 20cm.
Au Louvre: La Peinture (Mary Cassatt) [At the Louvre: Painting (Mary Cassatt)], Edgar Degas, circa 1870-80
Etching and aquatint 30.2 x 12.5 cm (11 â x 4 15/16 in.) Yale University Art Gallery, New Haven, CT, USA
Petrus van Schendel - A young woman at the night market (ca. 1833)
Claire Loder