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This is "March.03.March (second cut)" by Justyna Werbel on Vimeo, the home for high quality videos and the people who love them.

Video stills from March.03.March

stills from video

Data Visualization

More and more I am realizing the collective gathering of bodies (marches) is something i would like to document into a diagram like matrix using the audio files collected.

Justyna Werbel

GEP

Keeping in mind

*Symbol of collective gathering

*Is this about a growing public commons

*Notion of place and space and occupation

Noting WEB dubois Data Visualization

Data Visualization

More and more I am realizing the collective gathering of bodies (marches) is something i would like to document into a diagram like matrix.

Ryszard Wasko mentioned:

Flower Power, 1981-2005

”I made these photos in 1981 during the famous “Hunger March”of women in Łódź. When I had them developed I found out that they convey nothing of the true energy, power, emotion of this march. I decided to cover the heads of the participants with red tempera paint. It looked like a field of red flowers – poppies or Dutch tulips. And this was it. I understood that even real documentary photography sometimes can be far from truth. That’s why I made this intervention. Last year, I decided to make great digital blow-ups and I present them as 130x180 cm billboards. I hope they convey yet some other meaning now.”

notes to self:

-Grammatology

-Into a diagram like matrix

-Constantly striving for order

-visual and acoustical elements are arranged rhythmically,

-The same line on another sheet of paper assumes the role of a “timeline” or describes the movement direction

-transformation of the artwork-like into the performative

-Echoing the experimental music of the 1960s, which was concerned with integrating everyday life into the repertoire of performative events with a view to derive from this its action art,

-Conceptual drawing

-depict abstract phenomena such as space, time and even the events vibration playfully

Justyna Werbel

GEP research

For my GEP project proposal I decided to just react. I packed 3 super 8mm cartridges and took the streets to document the 2017 Women’s protest. Although this footage could not be developed in time to present during my critique, it nonetheless was a great exercise and a form of participation/documentation I felt needed to happen.

When I think about the footage I have shot on my super 8, I realize that sound has in no way been recorded. With that in mind and reflecting on my mind map (in studio installation), I acknowledged my tendency to copy. Copying involves repetition and vibration is a form of repetition.

In light of the recent news: The organisers behind the Women's March are gearing up for an even bigger protest against Donald Trump. After they filled the streets of cities and towns around the world, they are looking to see how the US would cope if they didn't have women in the workforce for a day. The group is planning a women's strike; a "day without women". (The date of this march has not yet been announced.)

My proposal is to document the vibration which occurs during this next upcoming Women’s March. I’m measuring phenomenology, not in the scientific sense because it is inherently ephemeral. Im looking at true measurement and the quality of the affect that gets generated through the phenomenology.

Note:

“Marcus Boon considers sound as a mode of vibration, and vibration as containing the possibilities for warfare and violence (as in Steve Goodman's Sonic Warfare), and healing and love (as in Lawrence's Love Saves the Day). Why do these possibilities emerge out of sound and vibration and how do different kinds of sonic communities (Putumayo shamanism, minimalist drone music, queer hiphop) negotiate this space between love and violence? To what degree are these possibilities already captured within the logic of global capital? As experimental sonic communities become increasingly attuned to vibration-in-itself, what kinds of new political and social possibility might arise?”

Interesting phrase: The politics of vibration.

Isaac Julien often begins his work with an audio file. The Sonic as a method of exploration I feel is an interesting point of departure.

Listen to Nowe Nagranie 8 Strike/Poland day without women march by justynawerbel #np on #SoundCloud

Diagrams of vibration measurement.

Although writing systems have been studied for centuries by linguists, Gelb is widely regarded as the first scientific practitioner of the study of scripts, and coined the term grammatology to refer to the study of writing systems. In A Study of Writing (1952), he suggested that scripts evolve in a single direction, from logographic scripts to syllabaries to alphabets. This historical typology has been criticized as overly simplistic, forcing the data to fit the model and ignoring exceptional cases. Yet, despite more recent refinements of the typology by Peter T. Daniels and others, Gelb's rigorous study of the properties of different kinds of writing system was pioneering and innovative.

Gelb had contributed significantly to the decipherment of the Anatolian hieroglyphs (formerly often referred to as 'Hittite hieroglyphs'), having published 3 volumes of studies on the subject.[1]

In the course of his career, he published over 20 books, that have been translated into many languages, and over 250 scientific articles.

AS time marches forward and the world’s ever-growing population faces new challenges, we look to science to come up with the answers.

We detected gravitational waves At the beginning of the year, scientists is the US announced they had detected the existence of gravitational waves, confirming Einstein’s century-old theory of gravity and putting the team of researchers on course for a Nobel prize in Physics. Put in simple terms by the world renowned theoretical physicist Dr Brian Greene, gravitational waves are “ripples in the fabric of space”. They are basically the vibrations caused by the motion and changing distributions of mass among planets and celestial bodies in space. The discovery was made with the use of the Laser Interferometer Gravitational-wave Observatory (LIGO) — a system of two detectors constructed to spot tiny vibrations from passing gravitational waves. The breakthrough, possibly the biggest in physics in a century, could be the key to new understanding of the universe and was compared to the moment Galileo took up a telescope to look at the planets. Scientists can now build gravitational wave observatories and use them to look back at the earliest moments of the universe and hopefully study the moment of creation. Gravitational waves were again detected by researches in June.

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