“Your own self, not the East Wind, is your undoing”
Dream of the Red Chamber, Cao Xueqin
untitled

Kiana Khansmith
𓃗

ellievsbear
The Bright Sessions
Cookie Run:Kingdom Official!
One Nice Bug Per Day

❣ Chile in a Photography ❣
d e v o n

blake kathryn
PUT YOUR BEARD IN MY MOUTH
macklin celebrini has autism

shark vs the universe
Sweet Seals For You, Always

pixel skylines

@theartofmadeline
Phantogram Three
Color Me Curious
sheepfilms
Mike Driver
seen from United States

seen from Italy

seen from United States
seen from Kazakhstan
seen from United Arab Emirates

seen from Mongolia

seen from Germany
seen from Russia

seen from Ukraine
seen from United States
seen from Türkiye

seen from Malaysia

seen from Türkiye
seen from United States

seen from Malaysia
seen from Panama

seen from Brazil
seen from United Kingdom
seen from United States
seen from United States
@globalqueertexts
“Your own self, not the East Wind, is your undoing”
Dream of the Red Chamber, Cao Xueqin
"Dream of the Red Chamber", ending poem
When grief for fiction’s idle words
More real than human life appears,
Reflect that life itself is a dream
And do not mock the reader’s tears.
Cao Xueqin, Nanjing, China - 1700s (English translation by David Hawkes, 1980)
“This isn’t Jerusha Abbott, the future great author, writing to you.
It’s just Judy - a girl”
Daddy-Long-Legs, Jean Webster, 1912
Tateishi Harumi | 立石春美 - Clover, 1934 (detail)
Japanese, 1906-1994
Ink on paper
Mizuno Toshikata | 水野年方 - Plum Blossom Viewing, 1898
Japanese, 1866-1908
Woodblock print
Tomioka Eisen | 富岡永洗 - Illustration for Kareno no Makuzu, 1897
Japanese, 1864-1905
Woodcut kuchi-e
Hasui Kawase - Benten Pond at Shiba, 1929
Japanese, 1883-1957
Woodblock print
Uemura Shōen | 上村松園 - 「姉妹之図」 ‘Sisters’
Japanese, 1875-1949
Silk colouring
Uemura Shōen - Moonflowers (detail)
Japanese, 1875-1949
Ink on silk
Ito Shinsui - Girls Full of Dreams, 1952
Japanese, 1898-1972
Woodblock print
Suzuki Harunobu - Women Embracing in a Green House, ca. 1765
Japanese, 1724-1770
Woodblock print
So it is that the sadness of those who love their own sex and therefore cannot live their lives in the form of a conventional marriage is redoubled by the chagrin of parents - for whom marriage represents the sole pinnacle of womanly achievement -and the opprobrium and scorn of everyone else.
Yoshiya Nobuko, "Yellow Rose", Flower Tales (花物語), 1923
"There's such a lot of different Annes in me. I sometimes think that is why I'm such a troublesome person. If I was just the one Anne it would be ever so much more comfortable, but then it wouldn't be half so interesting"
L. M. Montgomery, Anne of Green Gables, 1908
"Kindred spirits are not so scarce as I used to think. It's splendid to find out there are so many of them in the world."
L. M. Montgomery, Anne of Green Gables, 1908
'Ah, but you are lustful!' said Disenchantment. 'In principle, of course, all lust is the same. But the word has many different meanings. For example, the typically lustful man in the common sense of the word is a man who likes a pretty face, who is fond of singing and dancing, who is inordinately given to flirtation; one who makes love in season and out of season, and who, if he could, would like to have every pretty girl in the world at his disposal, to gratify his desires whenever he felt like it. Such a person is a mere brute. His is a shallow, promiscuous kind of lust.
‘But your kind of lust is different. That blind, defenseless love with which nature has filled your being is what we call here “lust of the mind”. “Lust of the mind” cannot be explained in words, nor, if it could, would you be able to grasp their meaning. Either you know what it means or you don’t.
‘Because of this “lust of the mind”, women will find you a kind and understanding friend; but in the eyes of the world I am afraid it is going to make you seem unpractical and eccentric. It is going to earn you the jeers of many and the angry looks of many more.'
Cao Xueqin, Dream of The Red Chambers, 1791
Two girls learned the sweet taste of forbidden fruits—How can they go back to their old days?... They were wearing a beautiful pink veil called "secret." People say this secret veil was knitted with rays of midnight moon light by the hand of beautiful witches. The two girls protect and nurture this small and tasteful round world. Only these two girls know this secret world behind the veil. "we are... flowers in shade..." says Tamaki hesitantly, when Masuko puts her arm around Tamaki's shoulder... Masuko answers "Yes, we are shaded flowers... We only bloom under blue moon light..."
Yoshiya Nobuko, "Shaded Flowers", Flower Tales (Hanamonogatari)