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beenwaytoolongatsea
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Greek Red-Figure Cup, Attic, circa 450 BC
poster by johnny francis wolf
@ivanjon
Ludwig von hofmann: Die quelle. 1913
Visitor in Casoli, Photo by Will McBride, 1981
Self‑Portrait (oil on canvas) by Eugène Jansson, 1910. The Swedish painter Eugène Jansson (1862–1915) depicts himself here as an elegant dandy, surrounded by nude men posing at the naval bathhouse. The muscular, heroic body—shaped by ancient ideals—stood at the center of the turn‑of‑the‑century male aesthetic, an ideal pursued through physical training and sunbathing. The painting is conceived from a distinctly homoerotic perspective, created at a time when sexual acts between men were illegal. This transgressive subculture, though hidden, formed an important undercurrent in the development of the modern city.
Scène d'été [Summer Scene] (1869) by Frédéric Bazille (1841–1870)
A luminous gathering of young men resting in the heat of a southern afternoon, their bodies scattered across grass and water like quiet notes in a pastoral rhythm. Bazille captures not only the moment itself, but the gentle camaraderie that threads these figures together: unguarded gestures, playful ease, and the serenity of friends suspended in summer light.