noise dept.
sheepfilms
RMH

★
Lint Roller? I Barely Know Her
I'd rather be in outer space 🛸
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occasionally subtle

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@theartofmadeline

Jar Jar Binks Fan Club
Not today Justin
Xuebing Du
d e v o n
2025 on Tumblr: Trends That Defined the Year
we're not kids anymore.
untitled
Misplaced Lens Cap

Origami Around

seen from Thailand
seen from Pakistan

seen from Ireland
seen from Bangladesh

seen from Colombia
seen from Uzbekistan
seen from United Kingdom

seen from United States

seen from Switzerland
seen from United States

seen from Brazil

seen from United States
seen from Jordan
seen from United States
seen from Türkiye
seen from United States

seen from United States
seen from India
seen from Oman
seen from Lebanon
@goldrun
backstage @ alexander mcqueen rtw autumn 2o14
- Clive Barker, The Thief of Always
I picture it soft and I ache!
Foxhole 2009 Hölzernes Bettende und Acryl 108 x 77,5 x 7,5 cm
Louise Glück, from Meadowlands; "The Dream"
[Text ID: "why couldn't it go on longer? / Because it was a dream."]
Mahmoud Darwish, tr. by A.M. El Messeri, from The Palestinian Wedding: A Bilingual Anthology of Contemporary Palestinian Resistance Poetry; "A Lover from Palestine"
Anaïs Nin, The Diary of Anaïs Nin, 1931–1934
Jeanette Winterson, from The Stone Gods
The Diary of Anaïs Nin, 1944–1947
Helen Oyeyemi, from “White Is for Witching”
Lamentations: A Monument for the Dead World (Bruce Elder, 1985)
“Won’t you come into the garden? I would like my roses to see you.”
— Richard B. Sheridan