Why Does The Whitney Biennial Suck So Much?
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Why Does The Whitney Biennial Suck So Much?
Stills taken from Gerard Byrne’s film 1984 and Beyond (2005 - 07)
Byrne restages a conversation on what the future will be like between prominent 1960s science fiction writers, including Arthur Clarke and Ray Bradbury. The script is taken from a feature in a 1963 edition of Playboy.
Manuel Álvarez Bravo was born in Mexico City on this day in 1902. His work is often associated with surrealism, but he was not a member of the movement. #ICPCollections http://bit.ly/2sb3Q0O
Next month Bemis is screening Redes and after @risapuleo and I will talk about cinema, history, revolution, disruption and art. (at Bemis Center for Contemporary Arts)
Today we celebrate legendary artist Chris Burden (1946–2015). Born on this day, Burden created LACMA’s iconic sculpture “Urban Light" in 2008. Gathered into a whole, the artist described the streetlamps as, “a statement about what constitutes a civilized and sophisticated society: safe after dark and beautiful to behold.” #lacma #UrbanLight #ChrisBurden #bornonthisday http://ift.tt/2oxAFBE
SCENARIO I: DANCIN’ IN HEAVEN // new works by DANIELLE CAMPBELL, FIDENCIO MARTINEZ, DAIN MERGENTHALER, and GONZALO REYES RODRIGUEZ | Chicago Visual Arts Calendar
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Stream live now: Two contemporary artists discuss what Marcel Broodthaers’s work means to them on the occasion of Broodthaers’s current MoMA retrospective.
Part of my MFA Thesis Review Installation
ICP + Mishka Henner #PhotographyIs Join us on June 23 for the opening of the ICP Museum! #MuseumMonday Learn more: http://buff.ly/1X5lWrw
“What happens when five feminist artists lock themselves up in a gallery for 48 hours?” asked the mujeres behind the Twin Cities arts collective Electric Machete Studios, located in the first Latino neighborhood of Minnesota, West St. Paul.
November is a self-reflexive video that examines the role of images in the post-revolutionary moment, primarily through the figure of Andrea Wolf, a friend of the…
Opening tomorrow at the Windor in Madrid, Don’t Call Me, I’ll Call you. My very first solo exhibition ever.
Screen grab of Submission, 2015