Carl Eduard Ferdinand Blechen (German, 1798-1840), Gothic Church Ruin, ca. 1829-31, pencil, in ochre, dark brown, watercolor in green and blue, heightened with opaque white; Museum Kunstpalast, Düsseldorf. Digitally enhanced.
Sade Olutola

PR's Tumblrdome

oozey mess
d e v o n

Love Begins
$LAYYYTER
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
i don't do bad sauce passes

pixel skylines
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Xuebing Du
Not today Justin
hello vonnie

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will byers stan first human second

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Cosimo Galluzzi
noise dept.
he wasn't even looking at me and he found me

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@goodflyingbird
Carl Eduard Ferdinand Blechen (German, 1798-1840), Gothic Church Ruin, ca. 1829-31, pencil, in ochre, dark brown, watercolor in green and blue, heightened with opaque white; Museum Kunstpalast, Düsseldorf. Digitally enhanced.
Léo-Paul Robert - Pic Vert (1880)
A Constant Hum (found in a derelict factory)
Pigeon feeding near Blue Mosque’, Mazar-i-Sharif, Balkh, Afghanistan 1991.
WIEL ARETS ARCHITECTS ACADEMY OF ARTS, 1993 Maastricht, Netherlands Image © Wiel Arets Architects
Paul Citroen Metropolis 1923
Sheep resting beneath a tree
By John Dawson Watson
Ben Laposky, Oscillon 520’, US, 1960. Museum no. E.1096-2008. Given by the American Friends of the V&A through the generosity of Patric Prince
humans vs elves
Mammals of the Eastern United States. Second Edition. Written by William J. Hamilton Jr. and John O. Whitaker Jr. Illustration by Earl Lincoln Poole. 1979.
Internet Archive
First light on a meadow.
Small Birds on the Roof. Ferdinand von Wright (1822-1906)
via
Lygia Clark’s ‘Óculos’ (Goggles)
Alexander Calder: Mobiles, Stabiles, Constellations, Galerie Louis Carré, Paris, 1946
Maeda Masao 1940
Hot Dog Stand (1951) in Oslo, Norway, by Arne Korsmo
Shogo Otani, ed. Ei-Q 1935-1937: Seeking the “Real” in the Dark
Tokyo: The National Museum of Modern Art, 2016