GOD IS GOO ALL THE TIME

ALL THE TIME GOD IS GOO

[twixnmix]

Barbra Streisand and Elliott Gould during their honeymoon at the Beverly Hills Hotel, September 1963.

Photos by Bob Willoughby

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[ducktracy-deactivated20260315]

found this absolute gem of an album cover. from warner bros. records, 1973. no, there’s no cartoon music on it. Enjoy ———————— I LOVE THIS THANK YOU. oh oh oh i love this Porky is so depressed. Daffy. SYLVESTER!!!!!!!!!!! this makes me giddy YOU ALWAYS KNOW HOW TO DELIVER. THANK YOU.

[justineportraits]

Paul Cadmus    What I believe   1947-48

[secretgarden]

Róisín Murphy, Overpowered

[thefugitivesaint]

Diane Dillon (1933-) & Leo Dillon (1933-2012), “Realms of Fantasy”, Vol. 6, #5, 2000 Source

[comominimo]

[yama-bato]

Cleveland Museum of Art — Blog — Elijah Justice

JOHN ROGERS COX

  1.Gray and Gold, 1942

2.Grey and Gold,1942 (detail)

[rainyday-recess]

[chigley60s]

THE HOMECOMING BY N. C. WYETH

[king-without-a-castle]

by Douglas Smith

[disease]

[theehorsepuss]

[gliklofhameln]

BEARDSLEY, Aubrey (illus.); MALORY, Sir Thomas

The Birth, Life, and Acts of King Arthur, of his noble knights of the round table, their marvellous enquests and adventures, the achieving of the San Greal and in the end Le Morte Darthur, with the dolorous death and departing out of this world of them all. The text as written by Sir Thomas Malory and imprinted by William Caxton… now spelled in modern style. With an introduction by Professor Rhys and embellished with many original designs by Aubrey Beardsley.

London: J. M. Dent, 1893

2 volumes, large square octavo (240 × 192 mm)

First Beardsley edition of Malory’s Arthurian epic in a stunning example of Cedric Chivers’s “vellucent” bindings, hand-painted after Beardsley’s own artwork within. This copy presents Beardsley’s decadent version of Malory’s Chivalric romance, noted for illustrations “shockingly overt in their sexuality and eroticism”, as a thoroughly luxurious whole. Only a handful of sets were bound in this manner. This is one of the 1,500 copies of Beardsley’s edition printed on ordinary paper, aside from 300 produced on handmade paper.

Chivers’s binding style is produced by hand-painting the backing sheet of the binding, which is subsequently covered in vellum that has been shaved to transparency, and then tooled in gilt. Chivers patented his vellucent method in 1898 and used it to create some of the most beautiful books of the turn of the century. This style influenced, and became closely associated with, the arts and crafts movement.

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I WILL NEVER GET OVER THIS!

[evilrashida]

Legends only

[nobrashfestivity]

Francesco Scaramuzza, illustration for Inferno, Canto XXXIV, ca. 1850. The three-headed Lucifer.

[surfingkaliyuga]

“Chaos” Moebius 1991 Piece in that artbook containing various other drawings and short comics by the artist.