felix felicis @grayskyluna-art - Tumblr Blog

"comrade in arms" yeah i bet he was in your arms. every night. fruit

“It’s all about falling in love with yourself and sharing that love with someone who appreciates you, rather than looking for love to compensate for a self love deficit.”

— Eartha Kitt (via perfectquote)

theemotionmachine

cyberbullyinc

aichu-dechu

s-n-arly

Apparently my favorite picture books as a child were written by queer authors. This brings me joy.

trek-tracks

Star Trek craft book, I am begging you to describe this craft project in literally any other combination of words

insomniac-arrest

people talk all the time about “primal instincts” and it’s usually about violence or sexual temptations or something, but your humanity comes with a lot of different stuff that we do without really thinking about, that we do without being told to or prompted to

your average human comes pre-installed with instincts to:

Befriend

Tell story

Make Thing

Investigate

Share knowledge

Laugh

Sing

Dance

Empathize with

Create

we are chalk full of survival instincts that revolve around connecting to others (dog-shaped others, robot-shaped, sometimes even plant-shaped) and making things with our hands

your primal instincts are not bathed in blood- they are layered in people telling stories to each other around a fire over and over and putting devices together through trial and error over and over and reaching for someone and something every moment of the way

full-moon-phoenix

~“Your primal instincts are not bathed in blood.”

My god this is beautiful. Such a refreshing change of pace to the constant glorification of instinctual human violence.

fellshish

Maybe if he was a little less fuckable we wouldn’t be in this mess

constitutionalweasleymonarchy

If AO3 had a slogan

dankmemeuniversity

chancemedley116

commandtower-solring-go

These are all brands of anti-depressants

dumbledorathexplora

Someone made a post about how well Matt Berry’s voice would fit Garfield…so I had to test it out…..

danepopfrippery

I fuckin love it and i cant believe collider didnt ask him about it. Also fuck chris pratt

acreaturecalledgreed

the concept and idea of “you can always start trying to be a better person” is extremely important to me both in media and irl and i continue to be deeply deeply disturbed by the trend on this site pushing that these ideas in media are bad writing or even morally reprehensible

because theyd rather someone stay terrible or just straight up die than become a better person

from a compassionate point of view it’s deeply distressing and from a pragmatic point of view it’s outright frustrating

it’s fucked up.

falliblefabrial

What is the most important step a man can take?

The next.

inklesspen

babblingfishes

I think part of the pushback about this is the idea that, to “redeem” bad people, their victims must first forgive them for unforgivable acts.

This is false. No one is obligated to forgive you. You can learn from your mistakes and become the best, kindest person on earth, and the people you’ve hurt still won’t forgive you, and you’ll have to accept that. And that doesn’t mean you aren’t allowed to grow. Because we aren’t just “pure” or “sinful”, we’re complex.

elizabethanism

“The entire British museum is an active crime scene” - John Oliver

savvysergeant

beatrice-otter

[image description: two pictures, one above the other. The first image shows a statue originally from the Acropolis in Athens, now in the British Museum. The statue is a column shaped like a woman. It is labelled London. The bottom image is from the Acropolis Museum in Athens, showing the other five matching column/statues, with a space for the missing statue pointedly left open. This picture is shot from above and is labelled Athens.

image in savvysergeant’s reblog: screencap of tags from two people. Feeblekazoo’s tags read: the degree to which the Acropolis museum is designed to shame the British Museum is spectactular. butherlipsarenotmoving’s tags read: the acropolis museum is the most passive aggressive museum i’ve ever been to and i love it

/end id]

For those of you who don’t know museum drama, one of the largest and most famous parts of the British Museum’s collection is the so-called Elgin Marbles, which were looted from the Acropolis by Lord Elgin in the 18th Century. (The Acropolis is the hill in Athens, Greece which has some of the most amazing Greek ruins anywhere, the most famous of which is the Parthenon.) Elgin had (or at least claims to have had) permission from the Ottoman Empire to take stuff home with him, but a) this is one empire asking another empire if they can loot stuff from the other empire’s subjugated people, so, not exactly any moral high ground there Elgin, and b) he took a lot more stuff than the Ottomans said he could have.

Greece has been asking for those statues and sculptures to be returned since they won independence in 1832. That’s right, 1832, 190 years ago. The British Museum has had a number of excuses over the years, one of the biggies of the late 20th Century being “we couldn’t possibly give them back because Athens doesn’t have a nice enough museum to display them” and ignoring Greece’s response of “we will BUILD a museum just for them if you will just give us our damn stuff back!“

Finally, Greece said “fuck you” and built a museum at the bottom of the Acropolis called the Acropolis museum. It is huge, it is gorgeous, the collection of objects is amazing and the educational bits (“this is what it is and why it matters”) are really well done. It’s probably one of the best archaeological museums in the world; it definitely is the best collection of ancient Greek artifacts in the world, both for the size of the collection and the way it’s displayed.

Oh. And it is amazingly passive-aggressive. Every single piece of the Elgin Marbles in the British Museum has an empty spot on display waiting for the piece to be returned to Greece. For example, there are a lot of pieces where Elgin took, say, the nicest (or easiest to remove) one of a set. The column/statue in the OP’s image is one of these. Friezes from the roof of the Parthenon are another example. The Acropolis Museum displays each one of these sets with space for the stolen pieces, along with a picture of what the stolen piece looks like and where it is. It is a giant middle finger at the British Museum, disguised as helpful information.

There’s no chance that the British Museum will return any of this in the next generation. It’s not up to the curators at the British Museum; they don’t get any say in this. The board of governors of the British Museum is made up of old posh English people who genuinely believe that the Empire was awesome and England has a perfect right to everything in the British Museum. They have set policies about what can and can’t be removed from the collection, and according to those policies nothing of any historical or monetary value can be given away or sold. And they actively promote the idea that their predecessors had a perfect right to loot the cultural heritage of the world, and that the museum has a perfect right to keep it forever. The only way to get anything out of the British Museum and back to its rightful place would be to completely replace the entire board of the museum with new people who think completely differently. And that’s not happening any time soon, alas.

gemsofgreece

By the way, the British argument that Greeks wouldn’t know how to care for the antiquities……. Greece has 206 archaeological museums. It’s not only incredibly demeaning as an argument, it’s also straight out false and misleading.

thatlittleegyptologist

One thing (and with the massive caveat of I don’t disagree with the above in the slightest): the Board of Trustees isn’t like that. They’re not all white, they’re not all rich, and they’re not all English. By and large they’re academics. I was speaking to them the other week with regards to repatriation when I visited and they’re actually very much all for it (bar one or two exceptions…looking at you George) and are working on things. A group of 5 of them I can confirm actively loathe Elgin and the marbles room. The problem lies with the British Museum Act of 1968 (hereafter referred to as BMA68) which was a law created by the government to prevent anything within the BM, which the government owns but wants very little do to with unless you’re trying to repatriate fyi, being removed in the “national interest”. Repatriation is, annoyingly, illegal in the case of the contents of the BM. So the Board have been trying to change this by putting pressure in various areas to get the laws changed, and the government screws them by enforcing term limits for serving on the board and then trying to stack the board in their favour to prevent further action. It’s a game of politics and the government do not want to give up BMA68 at all.

I know we like to categorise everyone we’re up against in the fight for repatriation as “old, white, rich guys” but it’s not helpful when it is decidedly not the case. We need to be mad at the right people and focusing on efforts to change this ridiculous law. At this time, supporting projects like the International Training Partnership, which is the BM’s way of building a network of curators and training them so organisations like the British Government can’t say “hurr durr they can’t look after their artefacts” because actually they can, we trained them ourselves. The network of curators also allows them to build mounting international pressure. It’s not going to happen overnight, but the pressure is building now, I promise you.