Pedro Friedeberg (1936-2026) — Two Cows [acrylic and ink, on board, 1969]
Xuebing Du
Not today Justin
2025 on Tumblr: Trends That Defined the Year
Sweet Seals For You, Always
DEAR READER
YOU ARE THE REASON
Mike Driver

Love Begins

Janaina Medeiros

tannertan36
Three Goblin Art
Jules of Nature
Peter Solarz
trying on a metaphor
Monterey Bay Aquarium
noise dept.
$LAYYYTER
🪼
Stranger Things
he wasn't even looking at me and he found me

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@greasysweetness
Pedro Friedeberg (1936-2026) — Two Cows [acrylic and ink, on board, 1969]
Mickey Mason (Australian, 1993) - Krakatoa (2024)
Artwork for an oversized sticker of Tamiya's mid to late 1980s mascots, Moko-chan and Rabbi-kun. Artwork by Yukihisa Fujita circa 1985.
龍門客棧 / Dragon Inn (1967)
Yasuo Otsuka - Mechanical Artworks (my scans)
週刊漫画アクション Weekly Manga Action, January 1971 issue
Cover boy: Lupin the 3rd au naturel 🫣 It's not Fujiko for once! - Art by Monkey Punch
Shueisha's 週刊少年ジャンプ Weekly Shōnen Jump No. 1-2, 1983
Cover: Tsukasa Hojo's キャッツ😸アイCat's Eye
LaFang commercial (2001)
Source:https://www.bilibili.com/video/BV1uW411x7im
Remedios Varo
BYTE magazine, January 1986
Portrait of a young Native American member of Buffalo Bill's Wild West Show during the first European tour in Paris in 1889.
Buffalo Bill turned Indigenous people and their cultures into a mas entertainment spectacle for profit. Performers were recruited to satisfy audience appetites for "authentic" "Indian" displays, often performing staged battles, dances, and tableaux that were shaped to sell the show rather than to represent Indigenous realities. It promoted racism through its stereotypical portrayal of Indigenous people as "savage".
Official art from Namco’s Legend of Valkyrie. I really love these pieces, I can only hope that someday we get a new Namco Museum with an extensive gallery featuring these and more…
Gwen, Or the Book of Sand 1985
'Nightshift' (dir. by Robina Rose) [1981]
Gwen, Or the Book of Sand 1985