HOLY SHIT GUYS, I WAS INSPIRED BY THIS POST TO TRY MAKE THE SONG AND YOU WOULD NOT BELIEVE THE SCREAM I SCRUMPT WHEN I DRAGGED THE TRAINING AUDIO OVER THE BACKING TRACK AND IT LINED UP PERFECTLY
I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with “Saki” is different.
It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.
There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
Do you get??? why I’m so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
I have so many questions... How does one SUSPECT a manga character isn't wearing underwear? Like, sure, boobs are front and center amd you can see them get bigger panel by panel but how does this work for panties? Are there just that many upskirt shots?
Also how do you keep a manga about Mahjong going for 18 years, what??
The scene in Shrek 2 when the Fairy Godmother sings I need a Hero when the giant gingerbread man attacks the castle is still the greatest scene in cinema of all times
Suddenly I am thinking about that article written by Brennan Lee Mulligan about being witness to extremely hyper-wealthy people believing they were going to live forever.
Not if the rest of us have anything to say about it, said the guy with words on his bullets to the heart of a health insurance CEO.
If you had guessed there would be a fortuneteller at this party you would have been dead wrong. Because there were two fortunetellers at thi
The old men were by far the most diverse bunch. Old billionaires wear whatever the fuck they want. One man wore a maroon, velvet, three-piece suit and a paisley cravat, and he must have been sweating in it, but I couldn’t tell because he had doused himself in a cologne that I’m going to call “A Million, Billion Different Kinds Of Fruit, by Calvin Klein.” There were two shaven-headed men of Caucasian descent, wearing black hakama robes and some kind of pendants. They had white socks and sandals, and from the way people were bowing to them, I’m guessing they were some kind of religious officials, but I can’t be quite sure. Whatever faith they practiced, it wasn’t Christianity, Judaism, Islam, Buddhism, Hinduism, Sikhism, Baha’i, Taoism, Shinto, Confucianism, Voodoo, Wicca or the Dreamtime Faith of the Aboriginal Shamans. If I had to guess, I would say they were either members of the Illuminati, or we are living in the Matrix and they are priests from the remaining human city in the real, outer world.
I don’t know what religion they were from. Do we get why that’s scary? Aside from the fact that a vast chunk of my education centered on world religions and mythology, religions really want you to know about them. That’s their whole business model. They tell you why things are the way they are and then you give them money. So the fact that there’s a religion that I’m too poor to know about is deeply troubling.
These rich old billionaires were the kindest, sweetest old gents. In conversations I overheard more than once, a man worth more than my entire extended family (which is Irish and therefore vast and mighty) talked about another man at the party as “just being the sweetest soul,” or referred to a cupcake at a certain café as “sinfully seductive.” And I realized, these men may have been cutthroat sharks before, or they may have inherited their fortunes, but none of that matters now. They won. They won life. They are lions that, having killed enough gladiators, are now left gloriously alive to become old and toothless. The host of the party had an entire wall covered in plaques and trophies. I read most of them, and still couldn’t tell you what he did for a living. Because whatever he had done, he certainly didn’t need to do it anymore. His accomplishments referenced his humanitarianism, his civic heroism and his contributions to culture and civilization. So whether or not this man had worked at Bain Capital gutting companies in the American Heartland didn’t matter, because he had rescued a bunch of Tibetan art and now he was kissing other billionaires on both cheeks and saying, “Tom, I’m in love with you!” because who gives a fuck, I’m rich!
I watched these crazy old holiday wizards and their jeweled scarab wives, their Oxford sons and Cambridge daughters, and thought to myself, “This is the most fun I’ve ever seen anyone have. Louis the XVI would've shit a brick if he'd ever thrown a party this good. This is… so great. This is… completely fucked.”
I began to notice that people were looking at me funny. For a moment I became scared that they realized I was poor. Perhaps I had used the wrong fork, or a moth had flown in lazy spirals out of my wallet, or my toes had popped out of the holes in my shoes. But then I realized it was my expression that was drawing looks. I looked flabbergasted and astounded. And they didn’t.
That’s when I realized it. These motherfuckers weren’t going to the best party of their lives. They weren’t even necessarily going to the best party of their week. Who knows? Maybe one of these plutocrats was sneering at the lack of a third fortuneteller. “No augur divining mysteries from the movement of birds? No oracle breathing poison and screaming prophesies? You call this a Christmas Party!”
5. It’s hard to be offended when white people jokes involve bland food/tourist dads in socks and sandals/white girls in yoga pants obsessed with pumpkin spice/suburban PTA moms and other harmless and mostly true stereotypes while jokes about POC involve them being called thugs/criminals/slurs/uneducated/illegal immigrants.
6. They’re usually really fucking funny and don’t perpetuate stereotypes that will ever affect me economically, politically, or cause me any true harm, let alone create risks that “justify” my murder and/or death
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