Phelipi Ordonhas (oordonhas)

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Claire Keane
cherry valley forever
Misplaced Lens Cap
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PUT YOUR BEARD IN MY MOUTH

bliss lane
Game of Thrones Daily
Cosimo Galluzzi
Sweet Seals For You, Always

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@guilhermean
Phelipi Ordonhas (oordonhas)
David Mendoza (mendozag_david)
Yeah, I’d watch Muppets Lord of the Rings
lame ass gadgetjob
RUGRATS 3.13 “Angelica's Birthday”
Guy Madison & Robert Mitchum in Till the End of Time , 1946 dir. Edward Dmytryk
if anyone's wondering what this is about, a woman died from an allergic reaction at a restaurant in a Disney park after repeatedly confirming that the food was allergen-free, and Disney is claiming that because her husband signed up for a free trial of Disney+ a few years ago, he waived all rights to sue them for any reason. i wish i was joking.
GAME OF THRONES, season 2 episode 1
TIL that there's an '80s movie where they portrayed Smilodon by sticking actual fake teeth onto actual live lions.
So I learnt about this as part of a paleontology lecture talking about how it became accepted that saber teeth don't hinder the animals ability to eat
Citation - those people who stuck some on real lions which were able to eat without problems once they got used to them
This reminds me of the PLoS ONE study that placed artificial tails (long stiff rods fitted with a cone, superficially resembling small toilet plungers) over the natural short tails of young chickens, which affected the chickens’ gaits, theoretically recreating the stride and center of mass positioning of similarly shaped dinosaurs.
Whether or not this has much scientific merit is mildly debatable but that’s sort of the point of PLoS One anyway.
josh o’connor and mike faist in the set of challengers (2024) dir. luca guadagnino
Austin as Feyd Rautha 🔥🔥🔥
X-MEN: THE WEDDING SPECIAL variant cover, drawn/colored by me! The issue is this year’s Marvel’s Voices: Pride one-shot — out 5/29 ✨🌈
PG: Psycho Goreman (2021) dir. Steven Kostanski
Stop-motion is an animation technique in which objects are physically manipulated in small increments. By capturing 24 frames per second, the object comes to life
The movement of each character, the speed at which they move, and lighting are all taken into account. Everything is crafted and captured manually, frame by frame. By doing everything manually, the handmade nature of this series exudes warmth filled with the unique charm only stop-motion can provide.
As the process requires extreme precision, each animator can only create up to 4 to 5 seconds of footage a day. Approximately 86,000 individual images were required to create this series.