
ellievsbear
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Game of Thrones Daily
AnasAbdin
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sheepfilms

JBB: An Artblog!
TVSTRANGERTHINGS
Misplaced Lens Cap
Alisa U Zemlji Chuda
almost home
KIROKAZE
trying on a metaphor

blake kathryn

祝日 / Permanent Vacation
we're not kids anymore.
Cosmic Funnies
One Nice Bug Per Day
dirt enthusiast
seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from Australia
seen from Russia
seen from Malaysia
seen from United States
seen from United States

seen from United States

seen from Spain
seen from United States
seen from T1
seen from United States

seen from Malaysia
seen from Malaysia
seen from Russia

seen from United States

seen from Malaysia
@gumbiloco
Lo que me pida
蛇の木登り (゚Д゚;) オォー Nope on a stick
( fulcrims さんのImgur )
LlaMacdonalds
A Grove of Petal-Like Sculptures by Snøhetta Shade the New Grounds of Blanton Art Museum
Cut a Rug in These Socks Designed Like an Iconic Green Cutting Mat
In ‘Biophilia,’ Pippa Dyrlaga Carves Space to Marvel at Nature’s Ethereal Intricacies
Interview: Sophie de Oliveira Barata on The Alternative Limb Project and the Nexus of Art and Medicine
From Dawn to Dusk and Back Again, Stephen Wilkes Pursues Natural Drama in Remarkably Detailed Panoramas
i like to call this girls who are normal about power lines & telephone poles (lying)
update: i made a zine! Power Lines My Friends Have Seen: an illustrated zine
1978 - Naples by Ferdinando Scianna
Sands, January 1960
The attraction board with the "Rat Pack" names Sinatra, Martin, Davis, Lawford, and Bishop was hung for the filming of Ocean's 11 (1960). It was seen at the end of the film, and in photos with the entertainers.
“We did the marquee here, the panel change, just the lettering ... The name Joey Bishop, as you can see, is kind of hanging off the bottom of the sign, and he didn’t like that. He said, ‘Hey, I want to be up there just like the rest of the guys are. What can you do?’ And I said, ‘Well, Mr. Bishop, we can make the name Frank Sinatra smaller.’ He said, ‘Never mind,’ and walked away.” - Kent Carmichael. An Interview with Kent Carmichael (OH 03648), Oral History Research Center at UNLV.
Kodachrome, Vintage Las Vegas
In Fantastical Laser-Cut Plywood Reliefs, Gabriel Schama Revels in Elaborate Details
"This is a normal job," he said through clenched teeth. "All I have to do is make the words happen. All I have to do is make those words make someone else excited."
Jennifer Crupi’s Sculptural Jewelry Embellishes Human Touch and Emotion