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lâche is about holding on too tightly in order to not let go
2025 Indigenous Gulf Stream
Your land acknowledgement guest's favorite land acknowledgement resource
Text and audio to help inform land acknowledgements in the Mississippi River Valley
Multidisciplinary Louisiana artists discuss the creative approaches they take to responding to landscape.rooted in change and tradition.
I went on a big trip, and am back now. Here is a bit about it.
Register for this event: https://www.amphilsoc.org/events/using-time-invitation-creative-connections-between-communities-and-archival-materi
Incorporating archival materials into creative processes requires a unity and relation with vision, community, and archive. This can be a delicate web hewn from valuable threads of personal relation and collective will. The vast possibilities, spanning success through failure, in this process can be offputting. This presentation is an encouragement to consider ways to begin to create and express with archival relations.
NUNU Tapestry Table with Taalibe Auguste speaking on Louisianaise and our Kreyol Culture.
NUNU Louisiana Tapestry Table features Phanat Xanamane speaking on Architecture and Horticulture
NUNU Louisiana Tapestry Table "German Immigration Today" with Alena Maschke.
We’re kicking off 2025 with an Artist Salon featuring Self as Universe: Mending Our Collective Ecosystem residents, Hali Dardar as she gives
Studio in the Woods Artist Salon
NUNU Louisiana Tapestry Table, "Indigenous Cultural Reclamation", with Colleen Billiot and Erica Fox
An interaction design for Indigenous data sovereignty which creates sole ownership at the initial fixation of copyright for sound, video, an
Uke' Contracting System
An interaction design for Indigenous data sovereignty which creates sole ownership at the initial fixation of copyright for sound, video, and image recordings.
Bvlbancha Public Access would like to maintain as much budget transparency as possible. We want our work to compensate and cooperate ethical
Budget Transparency
Bvlbancha Public Access would like to maintain as much budget transparency as possible. We want our work to compensate and cooperate ethically, and we believe that allowing more visibility to our operation will encourage the curious to stay involved in holding us to relational accountability.
All BPA activities are organized by time-constrained income stream budgets. Each income stream budget has a BPA steward, or Principal, who is responsible for the stewarding the funds.
These budgets also reflect the minimal margins and immense volunteer effort comprised in this organization. If you like our work, consider contributing a named or anonymous gift to our work. Named gifts shall appear as a separate spreadsheet in our list below.
Uke Interaction Design Building equity oral history digitization through contracting
This event will feature a presentation and panel discussion with various Indigenous scholars from the Gulf Coast.
21st Century Indigenous Review: 20 Years of Gulf Coast Tribal Successes
Reflections on producing immersion within a hybrid conference
Crafting Online Attendance
Reflections on producing immersion within a hybrid conference