death has moved to @harvestshope.
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blake kathryn
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❣ Chile in a Photography ❣
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祝日 / Permanent Vacation

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death has moved to @harvestshope.
re: the accusations against gaiman, all i want to say is that deciding what to do with this blog is taking a far backseat to... everything else. thanks for your understanding.
Art by Reza Afshar
Time's up. 20 New Limited Edition prints of this fellow are now available at the link in my bio.
ohhh fuck off. someone learned my summoning ritual again. ill be right back
"I mean.. I've seen the proof of that way too many times. Have to agree with the poet there more often than not."
"Their lives are brief as it is. Would you wish them more reality for less life?"
if my replies from morpheus don't make sense i can always rely on the excuse that dreams aren't supposed to make sense
❛ i know. ❜ that he does not hound her for his own amusement, that she will not do well if she does not rest, and that he is only looking out for her — she knows. soundlessly he turns his head to look at her, and after a moment she does the same, watching him with curious eyes. always curious, it's what brought her here, it's how she found him.
❛ do you miss me? ❜ one hand still in his, carefully anassa reaches up to brush a few strands of his hair away from his face, fingers lingering a second or two longer than they should. who knows when she will get a chance to rest again? to see him again? ❛ i say it so often to you, perhaps i should stop for fear that it will begin to sound disingenuous. ❜ lightly, she squeezes his hand before sinking down on to the bench beside him, staring out over the Dreaming with a small smile. ❛ i hope you know that i do not say what i do not mean, least of all to you, never to you. ❜ but she did not promise never to lie to him, did she? a finger from each hand presses against her temples, as if to rub away a headache that she has even while sleeping.
❛ it is suffocating me morpheus, this war, i feel like a prisoner who built her own cage and now i cannot get out. ❜ the admittance feels heavy on her tongue but it is just like the rest of her feels, heavy and tired. ❛ maybe i should have stayed where i was, maybe i never should've come here in the first place. ❜ and she knows these are rhetorical questions, no one will have definitive answers for her — but still, it would be nice if they did. ❛ i suppose i will never know. ❜
"I know that you know."
he does not mean to remind her of inevitabilities. she is not his subject to command, nor his sister to nag — his sisters are no strangers to interfering in his affairs and offering unsolicited advice. but it is in his nature. to be aware of duty and absence. her eyes, when she meets his, are not annoyed, and that ought to be a measure of ease. yet they unsettle him.
"I believe that you should be here more often than you are." this is not a direct answer to her question, but something of the same substance. "And I believe that you mean what you say every time you say it."
his hair falls back into disarray the moment she is done with it. his hand stays where it rests on the cushioned bench. he knows she means the words, but what does it mean to be missed? no one is ever happy to see him, if they remember him at all. only anassa.
strange to hear her frame her queendom as a kind of imprisonment. morpheus was caged by his enemies once, aeons ago, in his own kingdom. as a memory he does not care to revisit, it is banished immediately.
"That in itself is a dream," he says, deadly serious. "A wild dream, one I cannot say if you would be glad of. But you could know it."
the king of dreams gives an appearance of stillness, of a slow-moving immortal thing like a tortoise or a redwood tree. sometimes this is appearance is thrown off, for he is not really like one of those things at all. now, in the blink of an eye, he is in midair, and the window before anassa has grown so that there is nothing framing them inside the palace at all, and he is holding out his hand. all she has to do is take it once more.
harvestshope:
“Until then, Nico.”
in a rush of golden glory, the sun behind half-blood hill sets and becomes night. morpheus’ eyes glow brighter and bigger until they are inseparable from the stars and his robe the sky, or else the sky becomes smaller, contained entirely inside him. and then, at last, nico is alone in his dream.
*
the next time nico dreams, he returns not to tartarus, but to camp half-blood. the comforting, convivial atmosphere of the campfire has been snuffed out for the night, but the windows are lit in certain cabins. the light is clearer than clear, almost watery, and the blacks of the shadows of the empty places between are deeper than deep. it feels slightly wrong, and it should feel wrong. dreams are for making the familiar strange. dreamers seek home in their dreams, but they rarely start there. they start from the beginning.
a figure emerges from a cabin, or maybe was always there, or maybe appeared out of nothing when he wasn’t looking. it raises its hand to nico and waves. beckoning.
Well, at least he didn’t dream of Tartarus this time, that was a small improvement, but when Nico sees the surrounding fields of camp, he knows exactly what’s coming. Something like anxiety swirls in the back of his mind, but it’s disjointed, not linked to anything particular he’s seeing, just the vague sense of unease. He’s not alone.
Coming out of the cabin door is a bit of a stretch, Nico decides, or at least, that’s what he thinks Morpheus does, it’s hard to tell. But either way, Nico stands as soon as he sees him, pulling himself up from the dying coals of the campfire. A flitting memory of meeting a small girl at the campfire when he first arrived to camp circles his heels, but he pushes the thought away, taking a step towards Dream.
And the anxiety shifts, changing from something like unease to something like preparation. He’s reminded of the moments before a battle or the one time the other campers convinced him to sing at the talent show, and Nico nods formally to Morpheus as he draws closer. “Good evening, sir.”
"Welcome, son of Hades."
the figure resolves as nico comes closer. morpheus appears as others perceive him. perhaps now he looks like one of the greek gods, among whom he once spent much of his time: a black robe hanging off one white shoulder, a silvery laurel in his hair.
"To find the heart of the Dreaming, one can travel in any direction, but never, for any two dreamers, is the way alike. This is the way of all stories. That each story is a new definition of a story. Are you ready to choose your way?"
which of these characters did i NOT, at one point, have a roleplay blog for?
the master's tardis (doctor who)
korra (the legend of korra)
matt murdock (marvel)
coran (voltron legendary defender)
clara oswald (doctor who)
caleb widogast and nott the brave (critical role)
girls will say they know a spot and then bring you to the gates of sleep- one of which is said to be of horn, through which an easy passage is given to true shades, the other gleams with the whiteness of polished ivory, but through it the gods of the dead send false dreams to the world above- and send you through the gate of ivory
dream sucks so much 🥰
dream sucks so much 🥰
@glacierfront from here.
"You had no right to interfere."
morpheus wonders why he has allowed this state of affairs to continue. why does he treat this dream-walking mortal differently from a vortex? every night she spirals out of herself into the unconscious minds of others, and scoops up their revelations and fantasies like djinn into bottles. the result will not be the destruction of the dreaming. she is not a danger to him. but what of herself?
she knows that she is the one pinning this dream in place, even after the dreamer is gone. she does not seem to know that she is the one making it feel real.
he does not stand beside her, but hovers in the air. the wind doesn't touch him. his cloak hangs beneath him like the long tail of a magpie on a wire.
"You and all humanity come to this place night after night. Can you possibly imagine all the reasons why? Do you mean to serve my function? When you understand so little about it?"
his pale hands open. they may appear empty, but like pandora's box, he contains every curse and every hope.
"I am a king, not a judge. When you come to face your darkest fears — and desires — I bear witness. I look away from nothing. I call nothing right or wrong, but hold all of it. Together.
"And you had no right to interfere."
For the love of everything PLEASE draw Meowpheus booping! BOOP
reminds me that i do need to write an updated post on death's domain. the layout has gotten more complex and i love that for him.
@harvestshope / Death.
There is no singular boundary that can contain Madness. Infinite, buoyant, it traverses between through and across realms simultaneously. The fragments of what will be, what has been and, more acutely, what will never fall within the bounds of reality. Like a wave it carries her. Is her. Madness herself.
Delirium's travels are... not so outwardly poetic. She stumbles like a newborn fawn through domains, aware and unaware, searching and perfectly, complicity floating. From the opulence of Mount Olympus to nameless, echoless purgatories. ' Hello? ' Her voice, an omnipotent cadence. Unsure of who will hear. She searches for something. A thing— approximately sized, vague in color and shape. A something she cannot remember, but that she knows exists— somewhere, somewhere— in her mind.
An aloof sister perhaps?
A sister someplace sisters ought to be.
A place is as good a place to start as any.
And so, in a furl of other-light and color— a swirling, gaseous mass; like strokes coming to life on an empty canvas— Delirium of the Endless takes shape. Her multicolored mane sticks up in all directions, disheveled from her traversing between realms, and she staggers once her feet touch cold ground.
This place doesn't look at all like she remembers... No, too Victorian. Too macabre, straight from the pages of... Oh, what's his name? Edward? Something-something Poe?
"Death?" She calls, approaching the domicile. Runs her hands across bushes of black roses, letting their thorns prick her skin. "Sister? You changed things... Looks very... Cheery."
THANK YOU FOR NOTICING.
Death appears as a long skeleton in an even longer robe. Silk, tied at the hipbone, because he's having a nice day off. Well, not really off, since he is Everywhere. But he is also here, and he did not prepare to receive a caller; Susan has made it clear that he schedule is full until Soul Cake Tuesday dinner.
Behind them is the Wood of Silence, where he has been walking amongst the primroses, which he prefers no more and no less to the roses in the garden. Nor is he quite sure why only one belongs in a garden, except that the primroses are 'wild,' as they say. But his Wood was mapped by an immortal eye, who knows exactly where strange little wild pathways and flowers should appear. So too the cottage, the orchards and his granddaughter's swing, the fish pond and the lily beds, the wheat fields, and the mountains that never appear closer.
That same keen eye, bright blue in its deep socket, notices that velvety black of the roses distorts under the touch of his guest. Where a purple sheen was hidden in the folds, the color begins to resemble, perhaps, morose clown paint.
AS FOR YOUR SISTER, DELIRIUM OF THE ENDLESS... I AM NOT SHE. BUT I AM DEATH.
He looms. Leaning in.
I SUPPOSE YOU LIKE WHAT I'VE DONE WITH THE LANDSCAPING? he asks expectantly.