Human Disaster @hawkeyedont - Tumblr Blog

elizabethjenningz

#how the turntables

EMMA. (2020), dir. Autumn de Wilde

chalamet

ANYA TAYLOR-JOY © photographed by Autumn de Wilde Behind the scenes of Emma in 2019

mygothicheroine-deactivated2023

the sheer level of galaxy brain jane austen was on when she wrote “if i loved you less i might be able to talk about it more”

mashamorevna

Anya Taylor-Joy and Johnny Flynn for VOGUE (January 2020)

duncan-tashi

“I think people often look back at the period and think things were very muted and faded, but that’s just because the costumes from that period are faded now in contemporary times. If you look at the ceramics, for example, that survived from the Georgian period, they have very heightened, punchy colors. In Emma’s bedroom, for example, I wanted it to feel like an Italian ice cream. You’ve got corals and oranges and then it is a gradient of those colors, right down to a pinkish ivory color. You’ve got one color in a lot of different gradients within the same room which provided a real elegance I think.” — Stella Fox, set decorator for Emma.

christophernolan

#Is this not what happened?!

caterpie

InuYasha (1996)

strawbrrymlky

He’s trying his best :(

phoebedynevors

WSJ. Magazine 2018 TV Innovator: Phoebe Waller-Bridge, doesn’t let the status quo stand in her way. When she couldn’t find roles in TV, film, or theater that she wanted to play; she created them. First she astounded TV critics with the provocative show Fleabag, which delved deeply into the life of a single woman in London, haunted by a recent tragedy. Most recently her award-winning series Killing Eve turned the espionage genre on its head by casting two women in the lead roles of spy and criminal. What you see onscreen is what you get offscreen too–her writing room and production crews are diverse, allowing for multiple perspectives to come through in her work.