KAT HUNT

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[whatsrevenge]

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"What's Revenge" will be screening Saturday 11/17/2018 in Woodstock, NY along with Germaine Dulac's "The Smiling Madame Beudet," a very early feminist film that happens to also be a revenge film ;)

hope to see you there!

[tomorrowandbeyond]

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Konark, sun temple

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[whatsrevenge]

Many critical reactions to #MeToo have been similar to the reactions to my film—that people sharing #MeToo stories were oblivious to the complexities and the grey area of implication, that many of the stories shared weren’t that bad, or that the whole business of sharing stories was really about drawing attention to one’s self… essentially, that it was irresponsible for women to be talking about this stuff publicly. Again, I saw a lack of trust in women to examine our lives, to make our own conclusions about what constitutes misconduct and abuse, and take action as we feel necessary. It was the same mistrust that I experienced when I began examining the desire for revenge in my film.

Kat Hunt: #MeToo, revenge, and trusting ourselves to tell the truth (via whatsrevenge)

[whatsrevenge]

Watch full film on NoBudge.com til 2/8/2018 !

With a rare stylishness and killer selection of tunes, this short feature cuts deep into the wounds of modern relationships, transcending its own plot to deal in complex human reactions.  - NoBudge

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Agnes Denes, Echo Chamber: Woman’s Life and Echo, 1970

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Nydia Bas, from the series The Girls Who Spun Gold, Ithaca, NY, 2016

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[melissem]

Ted Kaczynski Cabin (part of Two Cabins)

James Benning

[karab-y]

[politicalsci]

[free-ottawe]

Fuck, dudes…

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look at god

[communicants]

Mon oncle d’amerique (Alain Resnais, 1980)

[themovingcloud-deactivated20170]

Minoan silver rhyton (a ritual vessel used to pour libations) in the shape of a bull’s head

16th century BCE.

[whatsrevenge]

Last Dance Before Trumpism: Eastern Oregon, Park City (Virtual) and Rotterdam | Filmmaker Magazine

In retrospect, it seems like it was the last glimmer of something. We were all in Eastern Oregon again, the loose circuit of folks who gather annually for

“Clark’s program was lively and varied as always; he had Sophia Takal’s Always Shine in the house (if not the director herself), and a world premiere screening of Kat Hunt’s delightfully strange, doc/fiction hybrid, What’s Revenge, an hour-long plunge into the alluring director/star’s psyche. It’s the type of movie, made with an economy of means, in which you sense the filmmaker willing to mix wildly discordant aesthetic strategies (long, winding, seemingly improvised scenes blending with remarkably stylish, almost overdesigned passages) to make a work that is personal in the most original of ways. It’s no Buffalo ’66, but it has a similar renegade spirit formally, and marks Hunt as an interesting cinematic memoirist, or a fraudulent one, which in this context is a compliment.”

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a review :)