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(via HALF FRAME CLUB - CAMERAS, FILM AND PHOTOGRAPHY - Half Frame Camera and Photography Club)

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haven't figured out how to add visual notes but eduoard glissant

the right to opacity

we don't have to be knowable, others don't have to be knowable

australian aboriginal the oldest continuous culture on earth

daniel boyd

asad raza

aboriginal fish traps unknowable

the opposite of domination, terror, assimilation is intuition, hybrid unstable situations

aboriginal ecologies

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(via Brewarrina Fish Traps - Atlas Obscura)

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(via Brewarrina Fish Traps - Atlas Obscura)

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Baiame's Ngunnhu — Sea Gardens Across the Pacific

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(via Prehension | Asad Raza)

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(via Root sequence. Mother tongue | Asad Raza)

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(via Asad Raza on Sculpting with Soil | Frieze)

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Daniel Boyd, Untitled (SPCFFATS), 2023

Oil, acrylic and archival glue on canvas 66 7/8 x 98 3/8 x 1 3/8 in. (169.9 x 249.9 x 3.5 cm)

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Daniel Boyd, Untitled (GB16), 2023

Oil and archival glue, screen print on paper mounted to canvas 15 3/4 x 11 3/4 x 7/8 in. (40 x 29.8 x 2.2 cm)

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(via Mangrove Sunset)

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The Long Shadow Of Colonial Science | NOEMA

Museums and gardens must become spaces that help us learn not only about biological life and human history, but also the colonialist and capitalist logic that still governs our everyday lives.

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(via Feathered changes - Mariana Castillo Deball)

Between Making and Knowing Something, Mariana Castillo Deball

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(via [email protected] (1440×1440))

Daniel Martin Diaz

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(via [email protected] (1440×1440))

Daniel Martin Diaz

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Guest editor Aunjanue Ellis talks with Allison Janae Hamilton about art and the complicated terrain they call home.

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https://www.lareviewofbooks.org/article/the-quiet-mysticism-of-almanacs/

Jess McHugh celebrates the “wonderfully freeing randomness” of the almanac.