Storyteller Review
Plot: This is the first and only episode so far to take place exclusively in Heaven. This means that this is the first episode to not only not feature the hotel in any capacity, but also the first to not have Charlie physically appear.
The first chunk of the episode is a trial. It is emphasized early on that Sir Pentious' appearance was unexpected, with many quick to assume the worst. Sera accuses him of having gotten inside through force and Emily argues back that it wouldn't be the case as they'd seen him naturally appear in front of their eyes in the season 1 finale. Before the argument can escalate further with Lute stepping in, The Speaker of God suddenly makes herself known to the angelic court.
After requesting Pentious tell his life story, she concludes to the crowds that he did in fact redeem himself and his ascension to Heaven was no accident. This means there is a cut and dry means for those to achieve salvation- they must do the amount of good proportionate to the amount of evil they'd committed in their mortal life. In this case, he had been damned for his inaction causing several murders and had been saved for sacrificing himself trying to fight back against Adam for the sake of the hotel. It's not elaborated on whether or not death after carrying out the proportionate good deeds is required, though. The revelation gives the idea that while redemption is very much possible, the reason why it hadn't been seen before the season 1 finale was because it could be incredibly difficult depending on the person. The two elements involved are both the severity of the bad acts and how willing someone is to do the proportionate good acts.
While Emily tries to get Pentious acclimated and happy in his new enviroment, the war at the hotel had created tension. While The Speaker had managed to talk through Sera's guilt with her and convince her responding with more violence was not the answer, none of them knew what their next act should be and the entirety of Heaven is forced into lockdown as a result. This shows that this episode and the one prior occurred at around the same time. Lute swears to herself and the hallucination of Adam that she'd slaughter the beings of Hell the next chance she got with Abel, the son of Adam, having overheard her complete breakdown.
The plot overall gets a 10/10. It did a solid job continuing to establish the overarching conflicts for the season where the previous episode left off.
Character: This is probably the first time in general the show's gone in depth on Sir Pentious as a character. While I didn't hate him by any means back in the first season, his personality never really stuck out to me too much there. However here, he's given a full backstory as she speaks his past to The Speaker. It's disclosed that his original name was Pendleton. Back when he was alive in London during the late 19th century, he was a shut in who was hyper focused on his technological works. One night he'd caught sight of a woman being murdered in front of his workshop, and didn't say a word about it. As news of other deaths and the killer not being caught came through, he'd been consumed by guilt yet still didn't do anything to try to make things right. This was enough to punish him with hellfire since if the Bible exists in the Hellaverse and Heaven operates on Christian law, then it is stated in James 4:17 of the religious book that "If anyone then, knows the good they ought to do and doesn't do it, it is a sin for them". His self sacrifice in the season 1 finale was an act of good that was proportionate to his bad as it was him finally stepping up for the sake of others, directly leading him to his salvation.
However, once he actually is permitted into heaven he isn't happy. After spending all of season 1 bonding with the hotel cast he's suddenly separated, leaving an aching hole in his heart. Emily tries her best to help his adapt to the situation and makes beings to replace his fallen egg bois, yet all he can ask is when he can see his friends again. That nagging sadness makes what should've been a time of comfort completely and utterly miserable. The lockdown over Heaven only serves to make things worse, leaving him feeling alone in an unfamiliar world.
With The Speaker revealing to all of heaven that redemption is in fact possible, Sera is met with a major reality check. Before the revelation, she had nearly fallen back on her paranoid mentality that had led to the yearly exterminations being permitted in the first place. And yet, when she's met with unmistakable evidence that damnation isn't eternal, she realizes that the bloodshed she'd let happen were pointless. After a one on one song about the matter after the meeting, her views had begun to shift. She still feared what kind of attack Hell may try now that they're fully aware of an angel's weakness, which was the reason for her to set up the lockdown. She had tried to consult the new leader of the exorcists on how to react and prepare for attack, but was met with the issue that Abel may be a doormat.
Speaking of her, the design of The Speaker of God is absolutely gorgeous. It's this ethereal kind of beauty, one that brings in her own light when she arrives. The fact that she completely dwarfs everyone around her is a physical sign that she is so much more than any of the angels we've seen up until that point.
This episode goes to show simply how emotionally unstable Lute is. The death of Adam in the season 1 finale had struck her deep, and her way of coping was to double down on her violent mentality. During the trial she objects to Pentious being considered redeemed even when the Speaker confirms the fact as true, citing his sacrifice as "attempted murder" and tries to use his allegiance with the hotel as a sign that he could not be trusted. She completely crashes out on the rest of the court, citing their decision to not immediately strike back against Hell as cowardly and detesting the idea that Abel would take over as new leader of the exorcists by law of heirs. Even after the meeting had been wrapped up, she confronts Sera to try to change her mind, confessing she had gone into contact with Lilith to try to convince her to intervene with Charlie's plans.
During the scene featuring Lilith, it is brought up that she's aware of and actively ignores her daughter's voice mails. This makes Charlie's attempts to contact her sting more, as the reason why it isn't working isn't her fault. The poor girl might be heartbroken when she discovers her mother might not want anything to do with her nor her father.
Midway through the episode Lute finds what she initially assumes to be Adam alive in an alleyway. However upon speaking to him, he confesses that he is nothing more than a mere figment of her imagination, a hallucination of sort. The sight reminds her that she never had the chance to truly confess her feelings of him to him before he passed away, lacing her fury with grief. Sometime later she vows to him she plans to slaughter all from hell herself next time she gets, which considering the barrier means she won't have an opportunity for a while. I could seriously be wrong on this account, but I'm thinking that she might end up fighting Vox at some point later in this season. That's purely speculation obviously.
The general character writing gets a 10/10. Despite the isolation and the fact heaven probably isn't going to be featured again until episodes 7 or 8, this feels like this is going to have some consequences on the plot trajectory.
Humor: Still 8/10.
Songs: Weirdly enough, there were 3 songs here instead of 2.
Like You is a 3.5/10. Pentious' solo is the only part of the song that doesn't feel too generic.
Sera's Confession is a 6/10. The singing for this is elegant but is held back by a bit of a slow start.
Gravity is a 9/10. It's mental breakdown rock, what more could you ask for?
All three songs have an average of 6.2. The only reason it has a lower score than the last episode is because the first song holds it back.
Overall:
10+10+8+6.2= 34.2/40
34.2/40=85.5%, making the episode an A tier.
I was already expecting this episode to be pretty good beforehand, and here we are.












