Helldoxian skys.
The clouds yesterday reminded me starkly of the ones from Helldox, just not filled with acid rain.
Mike Driver
RMH
YOU ARE THE REASON

★
Keni
ojovivo
Not today Justin
2025 on Tumblr: Trends That Defined the Year

No title available
occasionally subtle

No title available

❣ Chile in a Photography ❣

PR's Tumblrdome
Sweet Seals For You, Always
d e v o n
dirt enthusiast

Janaina Medeiros
Xuebing Du

titsay
AnasAbdin

seen from Germany
seen from Australia

seen from Canada

seen from Malaysia
seen from Türkiye

seen from United States
seen from Türkiye

seen from United States

seen from Türkiye

seen from Netherlands

seen from Australia

seen from United States
seen from United Kingdom

seen from Malaysia
seen from Australia

seen from Türkiye

seen from Malaysia

seen from Malaysia
seen from Australia
seen from United States
@helldoxian
Helldoxian skys.
The clouds yesterday reminded me starkly of the ones from Helldox, just not filled with acid rain.
Oz x Liam will always be my favorite pairing from Monster Prom
some inns at the edge of the world:
Bed, Bask, and Beyond: made entirely of thick frosted glass; it’s damp and muggy inside, full of tropical plants, with heat lamps hanging from the ceiling. staffed entirely by lizardfolk and yuan-ti. you swear you hear live mice skittering around but the bartender hisses and you mind your own business.
Emerald Bay Inn and Resort: a stereotypical tropical hotel with spa, hiking tours, a private (nude?) beach, drinks served in a coconut husk, etc. located in the frozen tundra. penguins huddle for warmth near the sauna.
The Thrifty Shifter: a rickety-looking tavern run by three doppelgangers: Joe, Moe, and Bobo. Joe is eager to please, offering all the inn’s amenities and discounts–but he seems sleazy. Moe is a buffoonish fellow, endearing if a little exasperating. Bobo is clearly running the inn as a front for the Fantasy Mafia.
Briggs, Briggs, and Bridger: run by a polyamorous triad: Briggs and Briggs are an orc and a dwarf, respectively, while Bridger is an elf. their bed and breakfast hosts drag shows every other Friday night and their crepes are to die for.
The Nestled Trollhouse: tucked under a woodland bridge, the Nestled Trollhouse is run by one exhausted, overworked troll named Greg. His true passion is baking, and he is always trying out new chocolate-chip cookie recipes. Tastings are free of charge. They’re usually burnt.
Inn & Out: has a Fantasy Yelp page, everyone is talking about it, and the food is incredible–like, five Fantasy Michelin Stars–but it’s so popular it’s always booked solid. they have an open reservation for the honeymoon suite in eight months.
Wyrd Sisters Hotel and Casino: founded by a trio of witches five centuries ago, but you’re pretty sure no one with magical power actually runs the place anymore. the desk clerk offers to read your palm while you wait for the bellhop but she always predicts “big winnings in your future.” Each room is decorated with a different Major Arcana card motif.
(as always you can steal any of these and modify them however you like for your own campaign!)
A Note on Writing
For anyone who hasn’t tried writing a novel, a short story, a fanfic, writing is hard. It’s not as simple as you would think. You’re not only dealing with words and sentences, you’re dealing with emotions, characters that are so lively they could be real, you’re creating, you’re changing, you’re building...
Writing is hard. Because you’re not only trying to please those who are some day going to read it, you’re trying to please yourself. Which is one of the hardest things one can do. Artists of any genre are faced with that on a daily basis, every time they want to do something they love.
Writing is hard because it’s you and you against you. No one is going to write your story and tell it like you. No one knows the characters like you, no one knows your thoughts, words and emotions like you. Sure, you could share your work with others, but at the end of the day, it’s just you in the space of your head.
Writing is hard because characters are not just characters. They are friends, they are family. They are there when no one else it. Perhaps you can relate to them, perhaps they’re a version of you that you want to be some day, or wish you could be. Perhaps they’re someone you look up to, or perhaps they carry your flaws and every time you write about them, you have to read about yourself.
Writing is hard because every one is different. There is so much different advice to be found on the internet these days concerning writing that often writers loose themselves and their individuality. They loose sight of what is important in their own world, their own work, trying to please and conform to all the different ‘tips and tricks,’ instead of focusing on their own voice.
Writing is hard because sometimes you don’t feel like it, and you know you should be working on the next bestseller but you simply cannot bring yourself to. There will be days where the world will weight you down and you’ll want to give up. There will be times where when you’re writing the words will touch you so deeply that it will be painful, or where you’ll wish you’re there instead of here. There will be times you’ll sit for hours in front of a blank page and write nothing, while other times you’ll churn out 3000 words that you later find to be unsatisfactory. Writing leaves you open and bare to your own emotions and leaves you alone with your feelings.
Writing is hard because you’re not just you. You’re all the characters in your book. You have to think for each of them, you have to react for every action and cry for every sorrow or joy. You have to split yourself up between the people on the pages and still keep yourself invested and interested in the plot even when you know who dies next.
Writing is hard because it’s hard. There is nothing easy about sitting down, alone, and opening yourself up to nothing but a blank page. It’s hard because when it comes down to it, writing is a solidarity experience. When the discussions and tips and laughs and idea bouncing is done, you’re on your own.
So to all the writers out there who are working on whatever work it is, whether it’s poetry, novels, shorts ect... We know it’s hard. But just because it’s hard, doesn’t mean you should give up. This is your story, write it. It’s your poem, compose it. It’s your screenplay, live it.
Yes, writing of any kind is hard, but where would we be without People of the Pen? We’d have no books, or movies, or music or poetry. We’d have no worlds to disappear into when life gets tough or songs to sooth ourselves with.
Writing is hard, but write on. They’re your words, use them. It’s your story, tell it.
How do Helldoxians celebrate Christmas?
Helldoxians actually don't celebrate Christmas, they have their own version of celebration called Inorgris. It falls on the day of their current King or Queen's coronation ceremony. This can fall on any day of the year and is also taken as the beginning of their new year.
Each of the five Courts holds an individual celebration that includes dancing, feasting and festivities. Gifts are often exchanged, though it is not required. The night of Inorgris, a large ball and banquet is held at the castle known as Reguouxn, this is for the Governors, their Second in Commands, Higher Ups and immediate families of these Helldoxians. This lasts well into the late hours of the night and into the early morning.
The more loved the current dynasty is, the bigger the celebrations will be. It is to be taken as an ill omen if there are no celebrations at all on Inorgris.
The day after Inorgris is known as Pacigris. Not much aside from much needed resting and recuperation is done on this day. Inorgris and Pacigris are two of the days of the year that are honored as peaceful where no violence is allowed to take place. Should this tradition be broken, heavy punishment is dealt. After these two days of course.
On the day of Inorgris, Helldoxians greet each other with the phrase, Pacie Inorgris. It directly translates to; Peaceful Beginning.
Common traditions include:
-Festivities in the Market Places
-Games (relay races, treasure hunts, drinking competitions, cooking contests ect) more than likely incited by Warlocks.
-The closing of most of the stalls and stores (unless part of the festivities)
-Decorating of homes, the castles, shops, any available space (usually with decorations in the ranges of colour of the current dynasty ect Golds for Nexus, blues for Dragonstone
-Family time
-Wearing casual clothes (ugly sweaters are encouraged)
-Gift-giving
So there you have it! How do Helldoxians celebrate Christmas? They don't, well I mean... They kind of do.
(Up there is Caleb btw, he loves attention)
Pride, power and honoring one's roots. The three cornerstones of Helldox's code, ruling system and beliefs.
If you look close enough, you'll be able to pick out the base of the Helldoxian symbol 🌈
When working on a book there are other things you can do as well...
Designing the symbol for Helldox seemed like a good choice
A little *dab* from Caleb to celebrate having to split Chapter 20 into two parts because he and Xanthus cannot stick to the script.
Are you Ready?
Are you ready for the adventure of a life time? Are you ready to escape the confines of real-life and merely... disappear into a completely original, never-before-seen-or-heard-of world of magic, love, twists and a whole cast of unique characters?
Are you ready to find an unearthly bunch of fictional characters to fall in love with? Are you ready to meet Demons, Warlocks, Dark Angels, Spell-Binders, Tomb-Readers and powerful Governors?
Yes?
Then watch this space and be part of a whole new world unfolding before your very eyes. Get exclusive peeks at the characters and some of the species you will be meeting...
What exactly is this?
Well, Ladies and Gentle-people, Helldox, of course.
“Does man not eternally create a fictitious world for himself because he wants a better world than reality?”
—F. Nietzsche, The Will to Power, §586 (excerpt).
When you are writing a story and refer to a character by a physical trait, occupation, age, or any other attribute, rather than that character’s name, you are bringing the reader’s attention to that particular attribute. That can be used quite effectively to help your reader to focus on key details with just a few words. However, if the fact that the character is “the blond,” “the magician,” “the older woman,” etc. is not relevant to that moment in the story, this will only distract the reader from the purpose of the scene.
If your only reason for referring to a character this way is to avoid using his or her name or a pronoun too much, don’t do it. You’re fixing a problem that actually isn’t one. Just go ahead and use the name or pronoun again. It’ll be good.
Someone finally spelled out the REASON for using epithets, and the reasons NOT to.
In addition to that:
If the character you are referring to in such a way is THE VIEWPOINT CHARACTER, likewise, don’t do it. I.e. if you’re writing in third person but the narration is through their eyes, or what is also called “third person deep POV”. If the narration is filtered through the character’s perception, then a very external, impersonal description will be jarring. It’s the same, and just as bad, as writing “My bright blue eyes returned his gaze” in first person.
Furthermore,
if the story is actually told through the eyes of one particular viewpoint character even though it’s in the third person, and in their voice, as is very often the case, then you shouldn’t refer to the characters in ways that character wouldn’t.
In other words, if the third-person narrator is Harry Potter, when Dumbledore appears, it says “Dumbledore appears”, not “Albus appears”. Bucky Barnes would think of Steve Rogers as “Steve”, where another character might think of him as “Cap”. Chekov might think of Kirk as “the captain”, but Bones thinks of him as “Jim”.
Now, there are real situations where you, I, or anybody might think of another person as “the other man”, “the taller man”, or “the doctor”: usually when you don’t know their names, like when there are two tap-dancers and a ballerina in a routine and one of the men lifts the ballerina and then she reaches out and grabs the other man’s hand; or when there was a group of people talking at the hospital and they all worked there, but the doctor was the one who told them what to do. These are all perfectly natural and normal. Similarly, sometimes I think of my GP as “the doctor” even though I know her name, or one of my coworkers as “the taller man” even though I know his. But I definitely never think of my long-term life partner as “the green-eyed woman” or one of my best friends as “the taller person” or anything like that. It’s not a sensible adjective for your brain to choose in that situation - it’s too impersonal for someone you’re so intimately acquainted with. Also, even if someone was having a one night stand or a drunken hookup with a stranger, they probably wouldn’t think of that person as “the other man”: you only think of ‘other’ when you’re distinguishing two things and you don’t have to go to any special effort to distinguish your partner from yourself to yourself.
This is something that I pretty consistently have to advise for those I beta edit for. (It doesn’t help that I relied on epithets a lot in the earlier sections of my main fic because I was getting into the swing of things.) I am reblogging this so fanfic writers can use this as a reference.
A good rule of thumb: a character’s familiarity with another character decreases the need for an epithet (and most times you really don’t need one at all).
Good writing advice.
Old books smell like heaven.