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Red toes 😍 Any personal requests? Just message me and we'll talk
I want you to worship my feet you filthy slave. 👣
Message me if you want to get personal feet pictures ;)
Trying to get opinions on my feet. Honest opinions. Do you want to worship them??
Time for Childhood for you 90s/Early 2000s kids
Memoriessss
rest in peace
goodbye my baby
goodbye my honey
goodbye my ragtime gal
Moss Graffiti: A How To Guide
are you fucking for real
Imagine being the criminal who returns weekly to make sure his fucking plant art is doing alright
Later
I found it! I fucking found it! In my fucking dash! Nothing can stop me now! *EVIL GIGGLES*
OMG SAME RIGHT I SAW IT A YEAR AGO AND WAS UPSET I COULDNT FIND IT AGAIN
I DID IT OMG!!! happy new year!!
All I wanted growing up was to be happy. As I grew up I learned to be happy with myself and who I was. I didn't realize there was another level of happiness that only existed when I was with you.
http://iglovequotes.net/
It’s time to bring an end to the Rape Anthem Masquerading As Christmas Carol
Hi there! Former English nerd/teacher here. Also a big fan of jazz of the 30s and 40s.
So. Here’s the thing. Given a cursory glance and applying today’s worldview to the song, yes, you’re right, it absolutely *sounds* like a rape anthem.
BUT! Let’s look closer!
“Hey what’s in this drink” was a stock joke at the time, and the punchline was invariably that there’s actually pretty much nothing in the drink, not even a significant amount of alcohol.
See, this woman is staying late, unchaperoned, at a dude’s house. In the 1940’s, that’s the kind of thing Good Girls aren’t supposed to do — and she wants people to think she’s a good girl. The woman in the song says outright, multiple times, that what other people will think of her staying is what she’s really concerned about: “the neighbors might think,” “my maiden aunt’s mind is vicious,” “there’s bound to be talk tomorrow.” But she’s having a really good time, and she wants to stay, and so she is excusing her uncharacteristically bold behavior (either to the guy or to herself) by blaming it on the drink — unaware that the drink is actually really weak, maybe not even alcoholic at all. That’s the joke. That is the standard joke that’s going on when a woman in media from the early-to-mid 20th century says “hey, what’s in this drink?” It is not a joke about how she’s drunk and about to be raped. It’s a joke about how she’s perfectly sober and about to have awesome consensual sex and use the drink for plausible deniability because she’s living in a society where women aren’t supposed to have sexual agency.
Basically, the song only makes sense in the context of a society in which women are expected to reject men’s advances whether they actually want to or not, and therefore it’s normal and expected for a lady’s gentleman companion to pressure her despite her protests, because he knows she would have to say that whether or not she meant it, and if she really wants to stay she won’t be able to justify doing so unless he offers her an excuse other than “I’m staying because I want to.” (That’s the main theme of the man’s lines in the song, suggesting excuses she can use when people ask later why she spent the night at his house: it was so cold out, there were no cabs available, he simply insisted because he was concerned about my safety in such awful weather, it was perfectly innocent and definitely not about sex at all!) In this particular case, he’s pretty clearly right, because the woman has a voice, and she’s using it to give all the culturally-understood signals that she actually does want to stay but can’t say so. She states explicitly that she’s resisting because she’s supposed to, not because she wants to: “I ought to say no no no…” She states explicitly that she’s just putting up a token resistance so she’ll be able to claim later that she did what’s expected of a decent woman in this situation: “at least I’m gonna say that I tried.” And at the end of the song they’re singing together, in harmony, because they’re both on the same page and they have been all along.
So it’s not actually a song about rape - in fact it’s a song about a woman finding a way to exercise sexual agency in a patriarchal society designed to stop her from doing so. But it’s also, at the same time, one of the best illustrations of rape culture that pop culture has ever produced. It’s a song about a society where women aren’t allowed to say yes…which happens to mean it’s also a society where women don’t have a clear and unambiguous way to say no.
http://iglovequotes.net/
http://iglovequotes.net/
The Onaga Herald, Kansas, July 2, 1916
Sdghghsldghwhgoghenksdglskjdg
WHAT
Hardcore grudging.
Hey I wrote this post a couple years ago! It was for a discussion about emotional labor and the lie that relationships are hard work.
The month before he didn’t buy me a Snickers, we completely ignored my birthday because he ranted about how pathetic it is when girls want presents just for aging. I was a Cool Girl so I agreed that my birthday is unimportant. Then the week before he didn’t buy me a Snickers, we celebrated his birthday for 7 days straight at his request and at considerable time and financial cost to myself. Then he didn’t buy me a Snickers.
We obviously didn’t like each other, but when you’re 18/19 years old and all you’ve ever heard is that you’re not supposed to like your partner and relationships take so much work to maintain, then you assume your shitty relationship is healthy. Don’t be like that. The only hard relationships are with people you don’t like.
Damn girl
i always knew there was a story behind this post
I THOUGHT THIS WAS GONNA BE BUBBLES OR A DANDELION OR SOMETHING
Ohhhh my gooddddnnnesss yasssss!!!
I thought it was the cow thing, GOTTA REBLOG