data ☆*:.｡. o(≧▽≦)o .｡.:*☆ messismore

maya

[hellomayaohmayaho]

LOOK: 22 Famous Artists Draw The United States From Memory

In 1971 a Japanese artist by the name of Hisachika Takahashi asked 22 of America's most recognizable artists to draw a map of the United States... from memory. Big names like Jasper Johns, Robert Raus...

this reminds me of the activity we did in class.

drawing our classroom from memory 

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[hellomayaohmayaho]

*  WIP  flowchart

* animation (pt1

* animation (pt2

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looked for new references from

*-mel uni gallery

*-my family wechat group

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3d printing- cylinder

data source: personal 24 hours activities

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processing workshop code snippets exercises

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NOISY JELLY

Noisy jelly is a game where the player has to cook and shape his own musical material, based on coloured jelly.

With this noisy chemistry lab, the gamer will create his own jelly with water and a few grams of agar agar powder. After added different color, the mix is then pour in the molds. 10 min later, the jelly shape can then be placed on the game board,and by touching the shape, the gamer will activate different sounds.

Technically, the game board is a capacitive sensor, and the variations of the shape and their salt concentration, the distance and the strength of the finger contact are detected and transform into an audio signal. This object aims to demonstrate that electronic can have a new aesthetic, and be envisaged as a malleable material, which has to be manipulated and experimented.

[hellomayaohmayaho]

Color Balance - A Soundtrack For Gender, Race, and Ethnicity in Movies from brian foo on Vimeo.

Foo looks at race and gender of actors and actresses headlining a decade of blockbuster films. Musical notes are separated into four categories: actors who identify as white men, white women, men of color and women of color. Higher-pitched notes are assigned to white men and women actors, and the sounds allow us to see Hollywood’s lack of diversity in a new way.

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Two Trains - Sonification of Income Inequality on the NYC Subway from brian foo on Vimeo.

Hearing data — not just seeing it — could be a transformative tool of the future, especially in time of massively multiplying information. In 2013, researchers claimed that more than 90% of mankind’s recorded data was generated in just a two-year span. Music is one creative way of parsing through those piling numbers.

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Sonification of motiongrams

This video demonstrates a new Jamoma module for sonification of motiongrams. From a live video input, the program generates a motion image which is again transformed into a motiongram. This is then used as the source of the sound synthesis, and "read" as a spectrogram. The result is a sonification of the original motion, plus the visualisation in the motiongram.

[hellomayaohmayaho]

Julia Mihály: The Counting Sisters

Julia Mihály: The Counting Sisters (for voice and live electronics) The performance is on the one hand an allegory for a ritual of „counting the dead“ as exp...

The performance is on the one hand an allegory for a ritual of counting the dead“ as explained in the story of "The Counting Sisters", written by Amar Kanwar, which is based on Indian folk tales, where six women (in an act of political resistance) spend their time collecting information around people who recently died due to political „issues“. On the other hand it is the translation of a general phenomenon of digital interconnection: The more information we receive, the less we notice. Or to express it differently: The more we see, the less we see. Every day our online newspapers and social media timelines are covered with a vast amount of latest news, videos, pictures, blog posts and comments about 100.000 dead of yesterday, 235.000 of today and a forecast for tomorrow. The dead disappear behind mere numbers. An incident becomes more grave as more dead are counted. 

The individual becomes insignificant. The voice and the resonating body form the nucleus of all sound and stand in interactive correspondence with a real time sound modulating Max patch. Furthermore the performer’s body functions as a projection surface for the visual translation of text immanent processes.

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every thing every time, a new artwork by Naho Matsuda

BEAUTIFULLLL

each poem consists of statements of what’s happening or not happening in Manchester. The poems write themselves in real time, and can be read online or seen on the flip-dot displays that are installed around Manchester city – in front of the reading room of the Central Library, on Manchester University Place, in front of CityLabs and at Hulme Garden Centre. They write all day and night, the flip-dots flutter every few seconds and write more than 10,000 lines of poetry per day.

[hellomayaohmayaho]

An interesting interaction fiction game but I’m stuck in the woods surrounded by trees.

http://textadventure.audio/

[hellomayaohmayaho]

The art of dying III: Sentimenti | Chris Nietvelt | TEDxAmsterdam 2014 (SIGN LANGUAGE)

www.tedxamsterdam.com In this third part of this 'Art of Dying' trilogy, Chris Nietvelt performs Sentimenti. Gian van Grunsven and Bert Hana created this tri...

time

           -beyond looking-

#02

the art of dying

how to shape the intangible

how to put death and art together

it’s the actress in Ivo van Hove’s version of CRIES AND WHISPERS, did a 13mins talk on Ted

[hellomayaohmayaho]

time

                         -beyond looking-

                                                            # Ivo van Hove

                                                            how is it related to psychological time?

#01

＊Roman Tragedies

the story is about ancient people but our understanding is still strong as this distance actually makes us feel that there is an interesting correspondence in time

it’s as if we are going through spacetime with the characters

Edward said

this is interesting in that it strikes a balance between two points

one is that it looks very entertaining we are used to

political figures are actually artists

post truth- to mean that nothing is authentic now

so when we’re watching the characters’ behaviors, These are not the behaviors depicted in Shakespeare’s time but when the two are put together, we can see the dialectical effect

you feel familiar when you’re watching it but it’s something in the old

the most critical and essential thing is all the figures once existed, we all know their outcomes and endings but when they put on modern costumes, we have a strong feeling that we wish to have the history rewritten and of course it’s not possible, and it’s this sorrowful state of this impossibility or when it’s extended to our own reflection system that your history may perhaps be rewritten.

＊

the time itself in the drama

-time can make predictions telling you when you can move and it will also let you find the time to change locations by means of text and forms of expressions, so it’s constantly generating psychological changes in you:

-after you’ve started to see this play, and half an hour has passed, the audience will be told  how long it takes for each scene change

if it take 3 minutes to change the next scene, you can make the use of 3 mints for the toilet or buy foods on the stage, if the next scene lasts for 15 mins only, the scene will be changed soon. it’s like changing flights, you will change the next flight soon. Therefore, the scene change also encourages the audience to change angles in seeing things.

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