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ELIZABETH OLSEN AS WANDA MAXIMOFF / SCARLET WITCH IN WANDAVISION (2021)

“The classic-sitcom approach offered exciting opportunities for humor and levity, but filmmakers were very serious about getting the genre right. Director Matt Shakman says, ‘It was really important to us from the get-go that we weren’t parodying sitcoms. We studied tone and style from era to era. We wanted to make sure the actors were really fluent in all of these different styles.’ Cast and crew studied classic sitcoms from the 1950s through the 2000s. ‘We wanted to make sure that what we were creating was absolutely faithful to the original touchstone shows,’ says Shakman.”

WANDAVISION (2021)

ruinedchildhood

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places to go:

a fairylike garden, full of sunshine

a flower meadow where picnics occur

foggy forests, a neverending fairytale

hidden waterfalls in the mountains

tide pools by the sea

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kyloren

“[pitching the proposal for Mononoke-hime (1997)] There cannot be a happy ending to the fight between the raging gods and humans. However, even in the middle of hatred and killings, there are things worth living for. A wonderful meeting, or a beautiful thing can exist. We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. What we should depict is, how the boy understands the girl, and the process in which the girl opens her heart to the boy. At the end, the girl will say to the boy, “I love you, Ashitaka. But I cannot forgive humans.” Smiling, the boy should say, “That is fine. Live with me.” ― Hayao Miyazaki

PRINCESS MONONOKE / もののけ姫 1997 | dir. Hayao Miyazaki / 宮崎駿