here's why it's good

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MOTION STUDY

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[welcomeback]

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social event of the century

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Leslie HEWITT 2018,  at Perrotin

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Joe Ethridge, Tennis Court

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Naomi Nakazato

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Nicolas Lachance, Untitled (Blue, Green and Grey – 4 units), 2018, Paper pulp, pigment, fiberglass ribbon, rust, dust and magnets 37 x 72 in. (92 x 183 cm)

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Biblioteca Pública de México (Mexico Public Library)

Mexico DF

Architects: Taller de Arquitectura X

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https://lisaeder.at/

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DIMORE STUDIO, Room Setting, Milan, Italy, 2020

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[thecmzconspiracy]

[annoyingthemesong]

SUBLIME CINEMA #242 - TATI’S MON ONCLE

Jaques Tati seemed fascinated not just by physical comedy but also modernism, which he would both showcase and criticize. Most of his films are full of striking, angular images, and amazing color design and symmetry, and he found absurdist humor in pitting his provincial Hulot against the modern world. Mon Oncle, Playtime, Trafic and others seem like different branches of the same fantastical cinematic universe, often substituting sound effects and image for any dialogue or traditional story.