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PUT YOUR BEARD IN MY MOUTH
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Jules of Nature
One Nice Bug Per Day

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2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me

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Today's Document

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Misplaced Lens Cap

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@hestyr-blog
branches exist, wind lifting them exists, and the lone drawing made by the branches
Inger Christensen, from “7,” Alphabet (New Directions, 2001)
Snoqualmie Falls | by Kristian Keenen
Bring Out Your Dead by Edmund Evans, 1665. A street during the Great Plague in London, 1665, with a death cart and mourners.
And here is the mosaic in full. You have to wonder if the artist had ever actually seen a wolf.
(Roman mosaic, A.D. 300-400, from Isurium Brigantum (Aldborough, North Yorkshire), on display in Leeds City Museum. The mosaic depicts the legend of a very small Romulus and Remus, suckling under the wolf’s belly.)
Heather trail by Jérémy RONDAN
glass animals - psylla
Reconciliation of the Montagues and Capulets, Frederic Leighton
Weightless as amber, Translucent as the currant on the branch, Dark as the rose’s thorn.
Louise Bogan, from The Blue Estuaries: Poems (1923-1968); “After the Persian,” (via violentwavesofemotion)
POLAND. Zalipie, the ‘painted village’ near Ternow. Houses are completely painted on the inside and outside by their owners. 1976. By Bruno Barbey.
The Box by Deda .
What we are making isn’t a shroud or a halo. It’s a banished hive stinging itself alive with vast multiplications.
Tess Gallagher, from “Un Extraño,” Moon Crossing Bridge (Graywolf Press, 1992)
panic! at the disco - oh glory
Artist unknown?
how do i explain there is no bravery in running from a house on fire. that this story begins with a body born boy like animal skinning itself in reverse & sewing itself up wrong. that dressing like this feels less like dressing up & more like dressing a wound.
torrin a. greathouse, from “To the People Who Call Me Brave,” Therǝ is a Case That I Ɐm (via lifeinpoetry)