René Magritte (Belgian, 1898-1967), Variante de la tristesse [Variant of sadness], 1957. Oil on canvas, 50.2 × 60.3 cm.

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René Magritte (Belgian, 1898-1967), Variante de la tristesse [Variant of sadness], 1957. Oil on canvas, 50.2 × 60.3 cm.
When Apollo 11 successfully landed and the images were released, ‘The Sun’ newspaper in Vancouver changed it’s name to ‘The Moon’ to report it.
The exclamation point is a nice touch!
fashinpirate:
ways of seeing // john berger
rest in peace, john
“One does not have to be a novelist seeking very subtle connections to trace the five thousand pounds of this prize back to the economic activities from which they came. Booker McConnell have had extensive trading interests in the Caribbean for over 130 years. The modern poverty of the Caribbean is the direct result of this and similar exploitation. One of the consequences of this Caribbean poverty is that hundreds of thousands of West Indians have been forced to come to Britain as migrant workers. Thus my book about migrant workers would be financed from the profits made directly out of them or their relatives and ancestors.
More than that, however, is involved. The industrial revolution and the inventions and culture which accompanied it and which created modern Europe was initially financed by profits from the slave trade. And the fundamental nature of the relationship between Europe and the rest of the world, between black and white, has not changed. In G. the statue of the four chained Moors is the most important single image of the book. This is why I have to turn this prize against itself. And I propose to do so by sharing it in a particular way. The half I give away will change the half I keep.
First let me make the logic of my position really clear. It is not a question of guilt or bad conscience. It certainly is not a question of philanthropy. It is not even, first and foremost, a question of politics. It is a question of my continuing development as a writer: the issue is between me and the culture which has formed me.
Before the slave trade began, before the European de-humanised himself, before he clenched himself on his own violence, there must have been a moment when black and white approached each other with the amazement of potential equals. The moment passed. And henceforth the world was divided between potential slaves and potential slavemasters. And the European carried this mentality back into his own society. It became part of his way of seeing everything.The novelist is concerned with the interaction between individual and historical destiny. The historical destiny of our time is becoming clear. The oppressed are breaking through the wall of silence which was built into their minds by their oppressors. And in their struggle against exploitation and neo-colonialism - but only through and by virtue of the common struggle - it is possible for the descendants of the slave and the slavemaster to approach each other again with the amazed hope of potential equals.
This is why I intend to share the prize with those West Indians in and from the Caribbean who are fighting to put an end to their exploitation. The London-based Black Panther movement has arisen out of the bones of what Bookers and other companies have created in the Caribbean; I want to share this prize with the Black Panther movement because they resist both as black people and workers the further exploitation of the oppressed. And because, through their Black People’s Information Centre, they have links with the struggle in Guyana, the seat of Booker McConnell’s wealth, in Trinidad and throughout the Caribbean: the struggle whose aim is to expropriate all such enterprises.”
Speech by John Berger on accepting the Booker Prize for Fiction at the Café Royal in London on 23 November 1972
‘I don’t want to talk either sometimes’
Most of us let our negative emotions persist longer than is necessary. Becoming suddenly angry, we tend to stay angry - and this requires that we actively produce the feeling of anger. We do this by thinking about our reasons for being angry - recalling an insult, rehearsing what we should have said to our malefactor, and so forth - and yet we tend not to notice the mechanics of this process. Without continually resurrecting the feeling of anger, it is impossible to stay angry for more than a few moments
Sam Harris, Waking Up: Searching for Spirituality Without Religion (via eearth)
Mirror-prosthesis//Tracy Auch
Drawings by Gustav Klimt (1862-1918)
reblog this to have a Happy Wildcat New Year™
not enough people reblogged this last year we gotta really try this time to have a Happy Wildcat New Year™
Sure, Jan.
model : lyuldong
photo : sky kim
original url http://www.geocities.com/WestHollywood/Stonewall/2312/
last modified 2000-11-30 01:36:20