Roy Lichtenstein - Cup of Coffee (1961)
NASA
Aqua Utopia|海の底で記憶を紡ぐ

❣ Chile in a Photography ❣
art blog(derogatory)
Three Goblin Art

Kiana Khansmith
DEAR READER
wallacepolsom

Kaledo Art
RMH
almost home
occasionally subtle
"I'm Dorothy Gale from Kansas"

No title available
Monterey Bay Aquarium
let's talk about Bridgerton tea, my ask is open

ellievsbear
YOU ARE THE REASON

Product Placement
Peter Solarz

seen from United Arab Emirates

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@hharri1
Roy Lichtenstein - Cup of Coffee (1961)
Bernard Plossu
via Lens Culture
Zanzibar
Birthday for Loleatta Holloway at Zanzibar
Jean Hugo (1894-1984) Two Footballers, 1921
Sotheby’s
The Thinker, 1936, Yiannis Tsaroychis
The New York Times, especially at that time, was gigantic. I remember it because they gave me the topic: What was the effect of AIDS on the culture? Which, in my opinion, was: What is culture without gay people? This is America, what is the culture? Not just New York. AIDS completely changed American culture. People always say “pop culture.” As if we have some high culture to distinguish it from. The effect of AIDS was like a war in a minute country. Like, in World War I, a whole generation of Englishmen died all at once. And with AIDS, a whole generation of gay men died practically all at once, within a couple of years. And especially the ones that I knew. The first people who died of AIDS were artists. They were also the most interesting people. I know I’ve said this before, but the audience for the arts—whether it was for writing or films …
CLEMENTE: Or ballet.
LEBOWITZ: Or ballet. The knowing audience also died and no longer exists in a real way. So all the judgment left at the same time that all this creativity left. And it allowed people who would be fifth-rate artists to come to the front of the line. It decimated not just artists but knowledge. Knowledge of a culture. There’s a huge gap in what people know, and there’s no context for it anymore.
Dressed to Kill (Brian De Palma, 1980).
Keizo Tsukamoto, from JCA Annual 6 (1985)
Sony Betamax SL HF-66 (1984)
Charlie Engman
Nan Goldin, Kathleen in the woods, East Hampton, NY (1997), cibachrome, 27 x 40 in.
Sheila B. Devotion
Alice in the Cities (1974) dir. Wim Wenders
The King of Comedy | Martin Scorsese | 1982
Sandra Bernhard
Dir. Martin Scorsese
Dir. of Photography: Fred Schuler
David Hartt at Beth Sholom Synagogue