noise dept.
KIROKAZE

Jimmy Eat World
Claire Keane
Sweet Seals For You, Always
Interview Vampire Daily

ellievsbear
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RMH
$LAYYYTER
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macklin celebrini has autism
Doug Jones
Noah Kahan
The Bowery Presents
occasionally subtle
Cosmic Funnies

Discoholic 🪩
Monterey Bay Aquarium

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@hiphopexp
Lateef Lafall St. John's University Graffiti in the Classroom
Highlights from the Hip-hop Conference
Scholars of the Culture Conference is Coming!!
Here is the early schedule. Be on the lookout for updates. We might have some more surprises in store.Â
What does hip hop need more of?
Scholars of the Culture Conference: Student Interviews-Wiley College
"What have you learned from hip-hop?" Ariel Clark-Sophomore, Chicago
RAP MUSIC & THE EMPOWERMENT OF TODAY’S YOUTH: EVIDENCE IN EVERYDAY MUSIC LISTENING, MUSIC THERAPY, AND COMMERCIAL RAP MUSIC
Raphael Travis Jr.
Child & Adolescent Social Work Journal
Pioneers of various elements of Hip-Hop culture have been empowered through the ability to voice their reality and find a meaningful identity alongside others who found purpose and function in embracing Hip-Hop culture (Chang, Can’t stop won’t stop: A history of the hip-hop generation, 2005). This empowerment persists in various reinventions of the culture within the United States and worldwide. The present study examines whether evidence exists in research to support the value of esteem, resilience, growth, community and change as empowering dimensions outlined in the individual and community empowerment framework. Research questions ask: (1) Does youth self-expression in rap music created within music therapy sessions reflect framework dimensions? (2) Does content in commercially recognizable rap music reflect framework dimensions? (3) How well does the framework align with a model of empowerment-based positive youth development? First, data collected to examine the validity of the framework were reviewed. Next, two peer-reviewed research studies published after articulation of the original framework, were examined to investigate commonality between themes and framework dimensions. One study was in a music therapy context and another explored themes in commercial Hip-Hop recordings. Original framework data supports theorizing that rap music content actually comprisesdevelopmental narratives (Travis and Deepak, 2011; Travis and Bowman, 2012). Data in the present study further suggest that these developmental narratives are relevant for Hip-Hop in every day music engagement, in therapeutic self-expression, and within commercially available musical content. Framework dimensions also aligned with a conceptual model of positive youth development that allows specification of intervention pathways and empirically testable outcomes for Hip-Hop integrated change strategies. Results suggest that rap music is a discourse in lifespan development. Rap music’s developmental narratives may be used by practitioners, parents and researchers. The narratives exist within a framework and model that (a) provides a template for better understanding these narratives and (b) positions this understanding for use as a tool to promote and research positive change strategies for individuals and the communities that they value.
http://www.springerlink.com/content/4078132358174355/
What do Harvard and hip-hop have in common? Marcyliena Morgan, Amber Rose Johnson, Jean Grae, and Walter Kimbrough join the Mellisa Harris-Perry panel to discuss how hip-hop can be used as a tool for academic engagement.
@juicelosangeles / @tfs_beats #todaysfuturesound FREE all ages #beatmaking workshop 12-4pm this sat at MacArthur Park #HipHopEd w/ @phillipdrummond @tritonbloom @repeated @burgur @mo_rhonejr @asterixmusic and more!!!
JUICE AND TODAY’S FUTURE SOUND present BEATMAKING WORKSHOP
SATURDAY, JANUARY 18TH, NOON - 4PM
2230 WEST 6TH STREET
LOS ANGELES, CA 90057
Lyrical Therapy University-Poetry Slam @ Wiley College
Prelude to the Scholars of the Culture Conference March 2014 @ Wiley College
Lyrical Therapy University (Enhanced)
MACK FROM FLINT