Emily Palmquist - Easy Keeper, 2021 - Oil and gold enamel on canvas
Keni

roma★

JBB: An Artblog!
Three Goblin Art
Sade Olutola
taylor price
RMH
Sweet Seals For You, Always
occasionally subtle

pixel skylines

Kaledo Art
Cosmic Funnies
Peter Solarz
"I'm Dorothy Gale from Kansas"
DEAR READER
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

shark vs the universe
No title available
he wasn't even looking at me and he found me

seen from Brazil
seen from Romania

seen from United States

seen from United Kingdom
seen from United States

seen from United Kingdom

seen from Malaysia

seen from United States

seen from United Kingdom

seen from Romania

seen from United States

seen from United Kingdom

seen from United States

seen from Türkiye
seen from United Kingdom
seen from United States

seen from United States

seen from Australia

seen from Malaysia

seen from Germany
@hippocampushippocampus
Emily Palmquist - Easy Keeper, 2021 - Oil and gold enamel on canvas
Katja Lang (German, 1968) - The Forest, Kaltnadelradierung (2022)
BADI, otherwise stylized as Bʌ́di (バディ), was a Japanese magazine for gay men that ran from 1994 to 2019. The magazine first started with illustrated covers, but as gay culture became stronger and men less afraid, they began gracing the covers as well. The magazine published a range of content from manga to life advice, fashion articles and sexual health advisories.
I personally find BADI one of the most beautiful and impactful gay magazines, and it's safe to say it's had a massive impact on gay visual culture. While I don't have a perfect archive that goes back to the early days, I have located all monthly issues of BADI from 2010 to 2019 and saved the covers to my hard drive. I will be scheduling them to post on my blog once a week. They will be tagged under #The BADI Archive.
This post will act as a helpful masterlist, and I hope you all enjoy the ride with me. If possible, I'd love to go back and collect vintage editions as well! Anyone who has any leads, please let me know.
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019 (END)
Salvo - Strada con lampioni, 2001
hey. hey. don’t cry. work of early chinese photographer Lang Jingshan
Kawase Hasui (1883-1957) Night Sea, woodblock print (1930)
Fireworks over Lake - Mia Bergeron , 2026.
American, b. 1979 -
Acrylic on flat panel , 6 x 6 in.
In Search of Destiny (1998), Viktor Kryzhanivsky
Wilf Perreault (Canadian, b. 1947, Albertville, Saskatchewan, Canada, based Regina, Saskatchewan, Canada) - A Winter Walk, 2025, Paintings: Acrylic on Canvas
My Love on the Wall. Ding Wenjie.
stairwell ascent
stairwell ascent
AHHHHHHHHHHHHHHHHHHHHHHHHHH
Minyoung Choi (Korean, 1989) - The Shining Net (2025)
Muratami Yutaka
The Pestilent Thickets are where damage begins to loosen its grip.
More polluted than the Lurid Grasslands, these dense growths emerge as contamination concentrates and vegetation tightens into tangled formations that trap lingering toxins. The air remains heavy, the atmosphere unstable, yet the ecosystem has not stopped moving forward.
Within the thickets, the first signs of transition appear. Amid altered flora, traces of familiar plant life begin to return, cautiously reclaiming ground once overwhelmed by chemical disruption.
They are still hazardous. Still marked by the legacy of contamination.
But they are also thresholds, places where the trajectory begins, slowly, to bend back toward equilibrium.
The Pestilent Thickets mark the fragile beginning of recovery.
I'm SO happy with this 😌
It's kind of practice because I'm painting a 100x81cm canvas with this too
Ref pic ✌🏼