German Institute of UZH
Color Me Curious

if i look back, i am lost
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Phantogram Three
occasionally subtle
KIROKAZE
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PUT YOUR BEARD IN MY MOUTH

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German Institute of UZH
Jean Dieuzaide
Albarracín
Spain, 1955
From Jean Dieuzaide: Yan
constructed nature
Carquero Arquitectura was tasked with rebuilding the monument to reinforce the existing structure and prevent further collapse.Rather than replicating the original stonework, the studio filled in the missing sections with a contemporary addition to create a distinction between old and new.
Restoration of Matrera Castle by Carquero Arquitectura
Eaves House / mA-style architects
EMP Museum | Frank Gehry | Andrew Prokos | Via
Brion Cemetary in San Vito d'Altivole near Treviso, Italy is considered Italian architect Carlo Scarpa’s most important and complex work. “I consider this work, if you permit me, to be rather good and one which will get better over time. I have tried to put some poetic imagination into it, though not in order to create poetic architecture but to make a certain kind of architecture that could emanate a sense of formal poetry. The place for the dead is a garden. I wanted to show some ways in which you could approach death in a social and civic way; and further what meaning there was in death, in the ephemerality of life other than these shoe-boxes.” Scarpa died in 1978, in a construction site accident. He is buried in this cemetery in a standing position in a hidden spot within the interstitial space where the walls of the old and new cemeteries meet.
Tama Art University Library, Toyo Ito, Tokyo - Japan, 2007.
Tokyo Storefronts, Illustrations by Mateusz Urbanowicz
Watercolor project spawned by the admiration of Japanese architecture, and their profound resilience throughout the years against earthquakes.
Sergio Fanego, Villa Fanego, Asuncion, 2003
www.arquitectosergiofanego.blogspot.com/
Modelmaking and the future. How to deal with complexity.
ARCHITECTURAL SCALE MODELS IN THE DIGITAL AGE: DESIGN, REPRESENTATION AND MANUFACTURING
Capilla San Bernardo by Nicolás Campodonico Arquitecto
The chapel opens up to capture the natural light of the sunset in the interior. Every day, the shadows of the poles make their way separately to finally meet and recreate the cross.
Hans Baluschek (Wrocław 1870 - Berlin 1935) - Bahnhofshalle (Lehrter Bahnhof), 1929. Pastel.
Figure drawings by Mollie Ong
See more of her work HERE
Dieter Rot: Gesammelte Werke #10.
Dieter Roth Diaries, 1965-1998. Hardcover leatherbound diary with drawings, coloured sketches, collages (cover) 17.5 x 11 x 3 cm / 6 7/8 x 4 3/8 x 1 1/8 inches. © Dieter Roth Estate. Courtesy Hauser & Wirth
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