honeymoon in the fridge

cow milk, Ate it. ate my arms. ate my paralysis (function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','https://www.google-analytics.com/analytics.js','ga'); ga('create', 'UA-39250879-1', 'auto'); ga('send', 'pageview');

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Consolations / Christine Herzer

My friend Christine Herzer  lives in Paris and mostly exhibits her works there: she writes / drawings, writes poetry , performs, lives with

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 "Des mots et des mondes", Palais des Beaux-Arts, Paris. The exhibition runs through May 24, 2026.

Curated by Melanie Bouteloup & Armelle Pradalier

Christine Herzer, Munitions (All flowering together), 2026

Les commissaires de l’exposition m’ont invitée à écrire=habiter le sas d'entrée des Beaux-Arts. The curators invited me to transform the entrance from a transition space to its own place, to an event almost. Not everyone will notice/experience it, but I hope for some people it will have real impact.

Exposition du 24 mars au 24 mai 2026 Palais des Beaux-Arts 13 quai Malaquais, Paris 6e

I wrote the entrance (le sas d'entrée vitrée) of the Palais des Beaux-Arts:

Munitions (All flowering together) (chalk marker on glass) brings together quotations by James Baldwin, Joseph Beuys, Peter Handke, Christine Angot, Annette Messager, Louise Bourgeois, Ingeborg Bachmann, Marguerite Duras, Ye, Christophe Tarkos, Etel Adnan, Maria Callas, Rainer Maria Rilke, Carolin Emcke, Wolfgang Tillmans, Carrie Mathison, Sergeant Nicholas Brody, Rosemarie Trockel, Paul Klee, Prince, Vincent Van Gogh, Roland Barthes, and others, including lines from my own poetry chapbook, Orange. The space also holds written drawings and questions pulled from the 'consolation-questionnaire' I developed earlier this year for a performance at drawing lab x centre pompidou. Don't hesitate to look up and/or explore the glass panels hidden behind the heavy/beautiful entrance doors.

I will be back often. I hope to see you there.

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Christine Herzer, Consolation, 11h - minuit, 31 Janvier 2026, drawing lab x Centre Pompidou;

Performance Dessin, Curated by Jean-Max Colard et Alice Pialoux

Christine Herzer

Christine Herzer dessine à l’infini, sans arrêt et sur de multiples supports, feuilles, vitres, magazines ou programmes de spectacle auxquel

Photo Leena Szewc

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Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Guillermo del Toro (Frankenstein), Josh Safdie (Marty Supreme) and Chloé Zhao (Hamnet) — joined moderator Jeremy Kagan onstage in the Guild’s Los Angeles Theater for an in-depth discussion about their work.

Feb 13, 2026 DGA Meet the Nominees Symposia

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The Creativity of the Crisis: Évelyne Grossman In Conversation with Mia Ruf - Black Sun Lit

Interpretation has long been the exclusive domain of theologians, transforming texts into dogmas and precepts to be followed. We should inst

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“Project,” by Rachel Cusk

Reality became malleable, was always giving way and changing its rules.

Rachel Cusk, Project, The New Yorker, August 2025

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A Formal Feeling, by Claire-Louise Bennett

Inside the world of Louise Bourgeois

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Paul Klee, Bernard Stiegler : le circuit du sensible - Le SauteRhin

Paul Klee et Bernard Stiegler : le circuit et partage du sensible et de la noèse. L'oeil noétique. L'attente de l'inattendu.

Bernard Umbrecht : Paul Klee, Bernard Stiegler : le circuit du sensible

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https://www.almostisland.com/monsoon-2025/poetry/how-deep-is-your-debt

almostisland

christine herzer, how deep is your debt

in almost island, issue 31: monsoon 2025

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POEM AS A JOURNAL - now available for download

Cover art: Christine Herzer, Handwritten cover letter, dated March 21, 2017 transformed into a poem/drawing when I didn't get the job, Marker, ink on paper, 42 x 30 cm

@christine_herzer

* as a Journal is published by the @lithuanian_culture_institute Graphic Design @migle_x_boy Guest-edited by Jean Max Colard Editors Louise Brunner  @kotrynas 

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JOSEPH BEUYS: THE BODY OF THE ARTIST

I had for too long a time dragged a body around with me. —Joseph Beuys, 1956 Suffering Warmth Sound Plasticity Fulfillment of time entered t

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Haim Steinbach interview – Art – Time Out London

Time Out talks to the artist who gives shelving way more than a supporting role

Haim Steinbach / 2014

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https://www.nytimes.com/2025/05/07/arts/design/paul-klee-angelus-novus-walter-benjamin.html?searchResultPosition=1

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An Interview with Suzanne Scanlon - Believer Magazine

I was first introduced to Suzanne Scanlon at Dixon Place in the Lower East Side of Manhattan over a decade ago, at a now seemingly prescient

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What Work Is

We stand in the rain in a long line waiting at Ford Highland Park. For work. You know what work is—if you’re old enough to read this you know what work is, although you may not do it. Forget you. This is about waiting, shifting from one foot to another. Feeling the light rain falling like mist into your hair, blurring your vision until you think you see your own brother ahead of you, maybe ten places. You rub your glasses with your fingers, and of course it’s someone else’s brother, narrower across the shoulders than yours but with the same sad slouch, the grin that does not hide the stubbornness, the sad refusal to give in to rain, to the hours wasted waiting, to the knowledge that somewhere ahead a man is waiting who will say, “No, we’re not hiring today,” for any reason he wants. You love your brother, now suddenly you can hardly stand the love flooding you for your brother, who’s not beside you or behind or ahead because he’s home trying to sleep off a miserable night shift at Cadillac so he can get up before noon to study his German. Works eight hours a night so he can sing Wagner, the opera you hate most, the worst music ever invented. How long has it been since you told him you loved him, held his wide shoulders, opened your eyes wide and said those words, and maybe kissed his cheek? You’ve never done something so simple, so obvious, not because you’re too young or too dumb, not because you’re jealous or even mean or incapable of crying in the presence of another man, no, just because you don’t know what work is.

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Christine Herzer, happy, 2020

CHRISTINE HERZER AVEC SALLY BONN, SPRING 2021, REVUE POSSIBLE, ENTRETIEN

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The Serial Attitude

What ordertype is universally present wherever there is any order in the world? The answer is, serial order. What is a series? Any row, arra

BY MEL BOCHNER, DECEMBER 1967, ARTFORUM