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@horrorontheplains
hills through train windows
the end of summer as the most haunted time of year
Summerâs End, John Prine / July, Graveyard Club / August, Dessa Bayrock / Juninatten Olja (June Night), Leif EngstrĂśm / Summer Cottage, June, Andrey Surnov / The Book of Disquiet, Fernando Pessoa / Float and Ponder, Angela Deane / Pomegranate, Cathy Linh Che / The Summer Ends, American Football
Al Mullen
The air here smells familiar, and the wind sounds almost sad, like the low and distant howling of the dog you never had.
somewhere in colorado. 2018
Š tag christof
Driving east through Ohio into a snowstorm
Itâs how we breathe underwater. Kick it right out of frame. Does it matter?
HWY 17, Santa Cruz, California
instagram: @leaberphotos
If you dont greet the bus driver when you get on he has no power to protected you on cursed and haunted roads
I hereby propose: the dark spring aesthetic
bright green budding trees against a backdrop of heavy storm clouds; daffodils dripping with rainwater
songbirds singing before the sun has fully risen
cherry blossom petals fallen on asphalt, crushed by footprints and tire tracks
opening the window on a sunny afternoon expecting warmth but instead being met by a cold thawing stillness
impossibly purple crocuses, a deep saturated violet
In my experience, itâs not Midwestern Gothic to spot some smoky, many-tendrilled Cthulhu monster creeping out from its murky netherworld home between rows of corn while a harvest moon gleams above your shivering head.Â
Itâs Midwestern Gothic to walk into a strip mall at 11:43pm, crying, wearing leaking $22 Target rainboots, wander into a Jewel-Osco next to a defunct K-Mart and a Family Dollar, steal a donut from the pastry case, stuff it into your parka, and then scarf it down in the mildew-covered bathroom with the busted lock on the door.Â
The Midwest is not a land of cornstalks and dilapidated barns anymore. Itâs a land of flat, beige & grey monoculture, Pizza Huts and Radio Shacks, split-levels and broken trampolines in back yards. And whatâs gothic about the Midwest is not fearsome otherwordly monsters, or the ghosts of farmerâs wives, or rusty scythes licked by the wind. No, whatâs gothic about the midwest is the people, and how they feel, and what their economic and career prospects are.Â
this is a good post. the monsters that make gothic lit what it is arenât a one-size fits all horror. they belong to that place. they were created by that place. the deep lurkers that terrorize coastal regions just arenât scary when theyâre run aground in the endless agricultural desert of the midwest, because they donât belong there. regional gothic is set apart from other horror genres because the threat to Normal Happy Life isnât external, it comes from within, and is a product of that place.
itâs not the ghosts of farmersâ wives, itâs the ghost behind you in line at walmart, who you tell yourself is a living, breathing person, or is that just the washed out flickering lights? itâs not the snarling canine figure rustling through the wheat fields, itâs your neighborâs old jack russel who always growls when you pass by, but is too old, too bored to bite. itâs the eyes that follow you down every wide empty sidewalk, and the itchy grasses and barbed wire that catch at your ankles when you take shortcuts through abandoned fields. and even moreso than that, the scariest monster in the midwest is you, your isolation, and the things your imagination begins to inflict on reality after a few too many grey, dusty, strip-malls-and-chain-link-fences months.
@thisishangingrockcomics
Farm equipment association going hard w the truisms
This is the most southern gothic thing I have fucking seen
Itâs from Minnesota and South Dakota.
More like Midwestern Gothic.
Two years earlier Lowell Lee Andrews, an enormous, weak-eyed boy of eighteen who wore horn-rimmed glasses and weighed almost three hundred pounds, had been a sophomore at the University of Kansas, an honor student majoring in biology. Though he was a solitary creature, withdrawn and seldom communicative, his acquaintances, both at the university and in his home town of Wolcott, Kansas, regarded him as exceptionally gentle and âsweet-naturedâ (later one Kansas paper printed an article about him entitled: âThe Nicest Boy in Wolcottâ). But inside the quiet young scholar there existed a second, unsuspected personality, one with stunted emotions and a distorted mind through which cold thoughts flowed in cruel directions. His family - his parents and a slightly older sister, Jennie Marie - would have been astounded had they known the daydreams Lowell Lee dreamed throughout the summer and autumn of 1958; the brilliant son, the adored brother, was planning to poison them all. The elder Andrews was a prosperous farmer; he had not much money in the bank, but he owned land valued at approximately two hundred thousand dollars. A desire to inherit this estate was ostensibly the motivation behind Lowell Leeâs plot to destroy his family. For the secret Lowell Lee, the one concealed inside the shy church going biology student, fancied himself an ice-hearted master criminal: he wanted to wear gangsterish silk shirts and drive scarlet sports cars; he wanted to be recognized as no mere bespectacled, bookish, overweight, virginal schoolboy; and while he did not dislike any member of his family, at least not consciously, murdering them seemed the swiftest, most sensible way of implementing the fantasies that possessed him. Arsenic was the weapon he decided upon; after poisoning the victims, he meant to tuck them in their beds and burn down the house, in the hope that investigators would believe the deaths accidental. However, one detail perturbed him: suppose autopsies revealed the presence of arsenic? And suppose the purchase of the poison could be traced to him? Toward the end of summer he evolved another plan. He spent three months polishing it. Finally, there came a near-zero November night when he was ready to act. It was Thanksgiving week, and Lowell Lee was home for the holidays, as was Jennie Marie, an intelligent but rather plain girl who attended a college in Oklahoma. On the evening of November 28, somewhere around seven, Jennie Marie was sitting with her parents in the parlor watching television; Lowell Lee was locked in his bedroom reading the last chapter of The Brothers Karamazov. That task completed, he shaved, changed into his best suit, and proceeded to load both a semi-automatic .22- caliber rifle and a Ruger .22-caliber revolver. He fitted the revolver into a hip holster, shouldered the rifle, and ambled down a hall to the parlor, which was dark except for the flickering television screen. He switched on a light, aimed the rifle, pulled the trigger, and hit his sister between the eyes, killing her instantly. He shot his mother three times, and his father twice. The mother, eyes gaping, arms outstretched, staggered toward him; she tried to speak, her mouth opened, closed, but Lowell Lee said: âShut up.â To be certain she obeyed him, he shot her three times more. Mr. Andrews, however, was still alive; sobbing, whimpering, he thrashed along the floor toward the kitchen, but at the kitchenâs threshold the son unholstered his revolver and discharged every chamber, then re-loaded the weapon and emptied it again; altogether, his father absorbed seventeen bullets. Andrews, according to statements credited to him, âdidnât feel anything about it. The time came, and I was doing what I had to do. Thatâs all there was to it.â After the shootings he raised a window in his bedroom and removed the screen, then roamed the house rifling dresser drawers and scattering the contents: it was his intention to blame the crime on thieves. Later, driving his fatherâs car, he traveled forty miles over snowslippery roads to Lawrence, the town where the University of Kansas is located; en route, he parked on a bridge, dismantled his lethal artillery, and disposed of it by dropping the parts into the Kansas River. But of course the journeyâs true purpose was to arrange an alibi. First he stopped at the campus house where he roomed; he talked with the landlady, told her that he had come to pick up his typewriter, and that because of the bad weather the trip from Wolcott to Lawrence had taken two hours. Departing, he visited a movie theater, where, uncharacteristically, he chatted with an usher and a candy vendor. At eleven, when the movie let out, he returned to Wolcott. The familyâs mongrel dog was waiting on the front porch; it was whining with hunger, so Lowell Lee, entering the house and stepping across his fatherâs corpse, prepared a bowl of warm milk and mush; then, while the dog was lapping it up, he telephoned the sheriffâs office and said, âMy name is Lowell Lee Andrews. I live at 6040 Wolcott Drive, and I want to report a robbery - â Four officers of the Wyandotte County Sheriffâs Patrol responded. One of the group, Patrolman Meyers, described the scene as follows: âWell, it was one in the morning when we got there. All the lights in the house was on. And this big dark-haired boy, Lowell Lee, he was sitting on the porch petting his dog. Patting it on the head. Lieutenant At eleven, they asked the boy what happened, and he pointed to the door, real casual, and said, âLook in there.ââ Having looked, the astonished officers summoned the county coroner, a gentleman who was also impressed by young Andrewsâ callous nonchalance, for when the coroner asked him what funeral arrangements he wished to have made, Andrews replied with a shrug, âI donât care what you do with them.ââ
 In Cold Blood, Truman Capote. (via nazva)
Ralph Eugene Meatyard, 1969.
Dodo Jin Ming