Joanna Karpowicz (Polish, b. 1976, Kraków, Poland) - Anubis in Hakone, 2014 Paintings: Acrylics on Canvas, Private Collections

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Sade Olutola
𓃗

PR's Tumblrdome
cherry valley forever
EXPECTATIONS
Jules of Nature
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Andulka
$LAYYYTER
KIROKAZE
Misplaced Lens Cap
sheepfilms
Game of Thrones Daily
official daine visual archive

gracie abrams

Product Placement
let's talk about Bridgerton tea, my ask is open
will byers stan first human second
almost home

seen from United States
seen from Vietnam
seen from Brazil

seen from Vietnam
seen from Chile
seen from Italy
seen from Bolivia
seen from Bangladesh
seen from Thailand
seen from United States

seen from Brazil
seen from United States

seen from Australia

seen from United States

seen from Malaysia
seen from Saudi Arabia
seen from Ireland
seen from Ecuador
seen from United States
seen from United Kingdom
@howdoesanythingexist
Joanna Karpowicz (Polish, b. 1976, Kraków, Poland) - Anubis in Hakone, 2014 Paintings: Acrylics on Canvas, Private Collections
“Do angels need haircuts?”, Early Poems by Lou Reed. In August of 1970, a 28-year-old Lou Reed quit the Velvet Underground, moved home to Long Island, New York, and embarked on a fascinating alternate creative path: poetry. Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most uncompromising voices in American popular culture.
Matt, New York
@self-ambient
Men are so gross
River Phoenix by Timothy White, 1988
me: *misses my train by 6 seconds* me: if i didnt stop to look at that bird that one time when i was 10 i would have been 6 second ahead in life and this wouldn’t have happened.
Landscape suicide, Jungjin Lee
John Lennon and Yoko Ono photographed by Susan Wood, December 1968.
Hades (2015) dir. Kevin Kopacka
Silent fantasy, THE SORROWS OF SATAN (1926).