solipsismo

[nataliakoptseva]

Bosch, Hieronymus - The Garden of Earthly Delights, detail

[thecheckeredblouse]

Constellation by Kiki Smith

[barcarole]

Galina Ulanova coaching Nikolai Tsiskaridze for Narcissus, photos by Mikhail Logvinov.

[marypickfords]

A Woman Possessed (Mario Mercier, 1975)

[ofallingstar]

Faustine and the Beautiful Summer (1972)

[sunjongpyo]

daido moriyama

[hadrian6]

Prometheus. 19th.century. Juan Adam Morlan Spanish 1741-1816. plaster.  http://hadrian6.tumblr.com

[zombienormal]

Russian Ballet, Walter Schnackenberg, Die Kunst für Alle, 1912-13

[moodboardmix]

Go'O steps by Hiroshi Sugimoto. Benesse Art House Project, Naoshima.

[nobrashfestivity]

Gerhard Richter

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[enjoypaitings-deactivated202409]

Félix Labisse (French, 1905-1982)

https://en.wikipedia.org/wiki/Félix_Labisse

picture resolution 1068 × 1361

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[yakubgodgave]

Transfiguration by Robert Gligorov, 2008

[garadinervi]

Gego (Gertrud Goldschmidt), Untitled, (ink on paper), 1970 [MACBA, Barcelona. © Fundación Gego, Caracas]

[flowerinaflame]

National Geographic, 1906 (ph. George Shiras III) 

[inneroptics]

Walter Peterhans - Margaret Leiteritz with oranges, c.1930

[hauntedbystorytelling]

Kasyan Yaroslavich Goleizovsky’s avant-garde choreography of Prokofiev’s Visions fugitives, Nºs 10-11 (Ridicolosamente, Con vivacità) for his own company, the Moscow Chamber Ballet, in 1922. The configuration of the bodies is architectonic, like so much art of the time, and acrobatic. The avant-garde costume design was adapted to the new dispositions of the body. | src The Russian Art of Movement review

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[hauntedbystorytelling]

A moment from the dance Marche Fúnebre (Moscow, 1921), choreographed by Kasjan Goleizovsky, music by Nikolai Medtner, photograph by Daniil Demutsky. Depicted: K. Kuznetsova, Tat’iana Miroslavskaia, and L. Gai. From: Nicoletta Misler: The Russian Art of Movement 1920-1930, page 211. | src Karl Toepfer

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